On August 5, 2003, Ryan Atwood (Ben McKenzie), an intelligent but troubled teenager from Chino, gets arrested after trying to steal a car with his older brother in the pilot episode of The O.C. Ryan’s public defender, Sandy Cohen (Peter Gallagher), understands that Ryan’s had a tough life and offers his business card if Ryan ever needs to call him. After getting kicked out of his own house, Ryan has no other options but to call Sandy, who lives in an extravagent house in Newport Beach with his wife, Kirsten (Kelly Rowan), and teenage son, Seth (Adam Brody). Cue the music.
17 years later, I miss The O.C. In the pantheon of shows, The O.C. is never going to be compared to The Sopranos, The Wire, or Breaking Bad. However, it’s one of the most influential television shows of the 21st century. Without The O.C. popularizing the lifestyle of Southern California teenagers and their families, there’s no Gossip Girl, Laguna Beach, The Hills, Real Housewives. Without The O.C. creating a teen drama that also focused on adults, there’s no Friday Night Lights, Riverdale, or Desperate Housewives.
What made The O.C. special is the fact that they focused on relationships between both the kids and the adults. It wasn’t just a show for kids, about kids. The show was able to incorporate issues of alcoholism, wealth, and class seen through the eyes of both teenagers and adults. Creator Josh Schwartz created a primetime television, major network drama with soap opera elements that centered around teenagers. I’m on the record saying the first season of The O.C. is one of my favorite television seasons ever. I’ll go one step further by saying it’s as close to a perfect season as you can get. The show’s pilot is also one of my 10 favorite pilots of all time and I know I’m not the only one who shares that opinion.
Due to its overwhelming popularity, The O.C. became part of the cultural zeitgeist. The O.C. embraced pop culture and included these references throughout the series. From baggy jeans to flip phones and puka shells, The O.C. had a pulse on teenagers during that timeframe. The audience felt like they were growing up with Ryan, Seth, Marissa Cooper (Mischa Barton), and Summer Roberts (Rachel Bilson). The show also provided iconic scenes and moments that were odes to popular moments in pop culture. Who could forget the upside-down spiderman kiss between Summer and Seth?
To all my girls and guys out there, I’m sure we all wished that “Fix You” would play at our high school dances. Am I right?
Speaking of songs, the music drops is as elite as you can get for a show. Schwartz and musical supervisor Alexandra Patsavas had an impeccable taste (and still does cc: Looking for Alaska) for pop, indie, and alternative music. The O.C. helped popularize bands like The Killers, Death Cab for Cutie, Rooney, Imogen Heap, and The All American Rejects. As I write this piece, I’m listening to Dice by Finley Quaye, which was featured on the New Year’s Eve episode where Ryan shared a kiss with Marissa just after midnight. Suck it, Oliver.
Like many shows, The O.C. ran into problems, especially during the third season. It pains me to bring up bad memories, but the third season is such a departure from what worked in all of the first season and most of the second season. Killing Marissa Cooper because Mischa Barton wanted to leave the show wasn’t a great decision, but their hand was forced. However, the fourth season channeled some magic from the earlier seasons and made Taylor Townsend into a formidable fourth character to Ryan, Seth, and Summer. This comment is out of place, but I have to honor the wonderful holiday that is Chrismukkah.
Teen dramas have tried to recapture the magic of The O.C. and some shows like Euphoria and Riverdale have found some success, but nothing will beat the teenagers of Newport Beach. “They don’t make them like this anymore,” is an overused phrase, but in regards to The O.C., it’s an appropriate response.
Welcome to the O.C., bitch.
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