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2022 Oscars Discussion, Vol 7: BAFTA And Critics’ Choice Storylines

The Power of the Dog

The Power of the Dog / Netflix

We’re almost there, everyone. The Oscars are just over two weeks away, but there’s still work left to be done with the BAFTAs and Critics’ Choice Awards. In a strange move, both the BAFTAs and Critics’ Choice will air on Sunday, Mar. 13, which means we’ll have twice the amount of answers to apply to our Oscar predcitions.

The Double Up

As an avid fan of sports gambling, my friends and I have a term where you bet on one team – spread and moneyline – in the same game and win both. We call it “The Double Fuck.” For the kids reading at home, let’s call it “The Double Up.”

The BAFTAs and Critics’ Choice Awards are the two biggest remaining barometers for predicting the Oscars. Final voting does not even begin until March 17 so these results have the potential to sway voters. If a film or actor can pull off the Double Up on Sunday, then it will be a lock to win the Oscar.

In the major categories, these are the films and entertainers with the best chances of winning twice on Sunday.

If The Power of the Dog wins both the BAFTA and Critics’ Choice, it’s pretty much a wrap on Best Picture. Belfast at the BAFTAs and CODA at the Critics’ Choice are the biggest threats to the Dog’s Double Up potential. Selfishly, I would love for CODA, a movie I thoroughly enjoyed more than The Power of the Dog, to win the Critics’ Choice to make the Oscar race more interesting. Before Nomadland in 2021, the last film to win Best Picture at the Critics’ Choice, BAFTAs, and Oscars was 12 Years a Slave.

The acting categories can get a little weirder. The only true locks at both ceremonies are Ariana DeBose and Jane Campion, who will use both ceremonies to practice their acceptance speeches. The Kotsur/Smit-McPhee matchup is mirroring the Slyvester Stallone/Mark Rylance battle for supporting actor in 2015. Kostsur/Stallone is the acclaimed, feel-good performance while Smit-McPhee/Rylance seems to be the critics’ guild choice.

Every critical pundit and their mother are using the Chadwick Boseman/Anthony Hopkins analogy from last year to compare this year’s Best Actor race between Will Smith and Benedict Cumberbatch. To refresh your memory, Boseman was the heavy favorite throughout the awards season. However, Hopkins’ win at the BAFTAs propelled him to pull off the upset at the Oscars over Boseman. If Cumberbatch can win the BAFTA, then the analogy will gain even more traction. Plus, the BAFTAs like to take care of their own and Cumberbatch is an English man so you do the math.

I don’t care what happens to PTA this weekend as long as he wins the Oscar. To quote Mark Ruffalo in Spotlight, “It’s time.”

The First Streamer To Win Best Picture Will Be…

Though the winner is still up in the air, I can confidently say that Best Picture will go to a streaming service for the first time ever. Barring a last minute surge for West Side Story or Belfast, Best Picture will most likely come down to Netflix’s The Power of Dog and Apple TV+’s CODA. Netflix has been at the door the past few years, trying to get into the Best Picture club. Roma was the favorite going into the 2019 Oscars, but the Academy had other plans in Green Book. This year, The Power of the Dog is the clear favorite to win, and if it doesn’t take home the top prize, I’ll be shocked. If Netflix can’t win Best Picture this year, I truthfully don’t know if it will ever happen.

On the flip side, Apple TV+ started just over two years ago, and they’ve cracked the Best Picture category with CODA. The service has been steamrolling the competition at other awards’ shows thanks to Ted Lasso. If CODA does the unthinkable and wins Best Picture, expect a lot of changes to occur at Netflix in regards to their handling of prestige dramas.

Previous Discussions:

Which film wins the top prizes at the BAFTAs and Critics’ Choice Awards? Leave your thoughts in the comments below or tweet me at, @danny_giro.