Belfast / Focus Features

Gentlemen, start your engines. We’re on a one-way trip to the 2022 Oscars.

Right now, we’re about five months away from the 2022 Oscars, which airs on March 27, 2022. That may seem like a long time away, but the races are starting to take off in each major category. “Oscar movies” will be released every single week until the end of the year. which means it’s time to start up the “2022 Oscars Discussion” column.

The first and (probably) last column in this discussion will cover the ceremony’s top prize, Best Picture. Will this year’s winner be the next Parasite or The Artist?

Early Breakdown Of The Race For Best Picture

As of November 5, there is no clear-cut Best Picture frontrunner, which is a change from last year after many experts predicted Nomadland would win the top prize after its victory at the Venice Film Festival in Sept. 2021. Having no true frontrunner isn’t a bad thing. I’m all for a competitive race with a variety of films trading wins at major guilds and festivals throughout awards season. Those tight races lead to wonderful surprises like Parasite‘s win back in 2019.

As of Nov. 5, the favorites to win Best Picture are Belfast and The Power of the Dog. Belfast is a black-and-white period piece from Kenneth Branagh about a working-class family from Northern Ireland in the 1960s. I haven’t seen the film yet, but it’s giving me major “Roma in Northern Ireland” vibes.

Some critics have cited the film as Branagh’s most personal film ever, a personal love letter to his childhood. Belfast features performances from Caitríona Balfe, Jamie Dornan, Judi Dench, Ciarán Hinds, and great child performance from Jude Hill, the latter campaigning for Best Actor. It’s currently tied with The Power of the Dog for the best odds (15/2) to win Best Picture via Goldderby.

Belfast has history on its side thanks to its People’s Choice Award win at TIFF. Since 2012, every film that won this award received a Best Picture nomination and three of those films went on to win at the Oscars. In other words, Belfast is guaranteed to be in contention for Best Picture.

Belfast premieres in the U.S on November 17.

Speaking of The Power of the Dog, Jane Campion’s western starring Benedict Cumberbatch is the other frontrunner for Best Picture. Without giving too much away, Cumberbatch plays a domineering rancher who torments his brother’s new wife and son, until a secret may tear him apart.

Campion has a good history with the Academy as she was the second woman ever to be nominated for Best Director for 1993’s The Piano. She’ll probably become the first two-time female nominee at this year’s ceremony. Cumberbatch and Kirsten Dunst are shoe-ins for nominations in Best Actor and Best Supporting Actress. Plus, The Power of the Dog was second-runner up at TIFF.

Just like Belfast, The Power of the Dog will be a Best Picture nominee come March.

The Power of the Dog streams on Netflix starting Dec. 1.

The Contenders

After those two films, there’s a bit of a drop-off. Some of that has to do with the fact that no one has seen the film yet. I haven’t seen one word from a critic about Licorice Pizza, West Side Story, Nightmare Alley, House of Gucci, and Don’t Look Up. Seriously, not one single word about five films from Oscar-nominated and Oscar-winning directors.

King Richard and Dune should make the final list of Best Picture nominees. The Tragedy of Macbeth from Oscar-winner Joel Coen has six Academy Awards between the two stars, Denzel Washington and Frances McDormand, so expect the film to be in the mix. Other than that, a few smaller films like The Lost Daughter and CODA will try to claw their way into the contention.

My prediction for Best Picture nominees as of 11/5.

  • Belfast
  • The Power of the Dog
  • Nightmare Alley
  • House of Gucci
  • King Richard
  • Dune
  • The Tragedy of Macbeth
  • Licorice Pizza
  • West Side Story
  • Don’t Look Up

Let the games begin.

Tell us your predictions for Best Picture in the comments below or tweet us, @danny_giro.

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