Is Stranger Things‘ scary? The debate over the show’s scariness dates back to its debut on Netflix in 2016. Stranger Things is arguably more sci-fi than horror, but it’s not something I would show to a kid under the age of seven.
Stranger Things perfectly blends horror with sci-fi and comedy. It’s not the scariest show to be created, but it does mix in timely jump scares and spine-tingling visuals. Creepy is a better way to describe the show’s horror.
A possessed Billy going AWOL and fighting the gang? Actually scary!
I’m a big enough man to admit when I’m frightened and after watching the teaser, I’m scared. Gaten Matarazzo said that this season will be the scariest one yet so I’m intrigued to see how frightening it will be.
I’m more excited for the show to return, but I’d be lying if I denied the chill sent down my spine when Dr. Brenner said, “Eleven, are you listening?”
The teaser highlights the Hawkins National Laboratory, where Dr. Brenner would experiment and train children with psychokinetic abilities like Eleven. It’s unknown whether this is a flashback, dream sequence, or the present-day. I bet it’s s flashback, but we know that Dr. Brenner is alive so it’s possible that he will capture Eleven once again.
Unfortunately, we won’t receive any answers on Eleven and Dr. Brenner until the Season 4 premiere, which will probably arrive in 2022. I’m still holding out hope for a Thanksgiving/Christmas debut. Drop it early, Netflix!
Are you excited for Stranger Things Season 4? Leave your thoughts in the comments below or tweet us, @danny_giro.
To quote Alan Garner from The Hangover, “How ’bout that ride in?” Before we move on to the 2022 Oscars, we must address the 2021 Oscars. Due to that thing they call “the pandemic,” the Oscars looked a lot different in 2021. With a new date and venue, change isn’t necessarily a bad thing.
After the 2021 ceremony, I found myself wanting a show from years prior. I appreciated some of the risks the producers (Steven Soderbergh was one of the producers) took including the decision to allow winners as much time for as long as they wanted. Without that decision, we don’t get Thomas Vinterberg’s beautiful speech or Daniel Kaluuya’s sex joke. Then again, some people did need to be played off, but that’s the risk.
However, the show desperately needs a host to hold things together. In a year where the films were barely seen by the general public, not including clips for all of the categories was bizarre. Finally, moving Best Picture ahead of Best Actress and Best Actor was a risk that didn’t pay off. The show awkwardly ended with Joaquin Phoenix accepting the award for Anthony Hopkins*, who wasn’t in attendance for his Best Actor win. The producers clearly believed Chadwick Boseman would win and the show would end with a beautiful tribute to a wonderful actor who died too soon. That didn’t happen, and the ending fell flat.
*I was shocked that Boseman didn’t win. However, saying Hopkins didn’t deserve to win is outrageous. Hopkins gave a career-defining performance in The Father. I wanted Boseman to win, and Hopkins gave an incredible, award-winning performance. Both can be true!
With the 2021 Oscars in the rearview, it’s time to look ahead to the 2022 Oscars. I admit that I’m crazy for looking so far ahead, but I love this shit. To all of the studio heads, please release your movies this year. Stop delaying!
Mr. Spielberg, the ball is in your court. Type in “most-anticipated movies of 2021” into a search engine and 98% of the articles will include Steven Spielberg’s West Side Story, which arrives in theaters this December. Adapting West Side Story, which won 10 Oscars in 1962 including Best Picture, will be Spielberg’s most ambitious task since 1993’s Schindler’s List. I have no idea what to expect from Spielberg’s musical. It could mirror the sucess of 1961’s adaptation or be a dud like Cats. Actually, I can guarantee it won’t be like Cats so expect West Side Story to receive multiple Oscar nominations. With good reviews and a strong box office performance, West Side Story might be the favorite to win Best Picture next awards season.
Will PTA Finally Win Some Gold?
Paul Thomas Anderson’s ‘SOGGY BOTTOM’, starring Bradley Cooper, Cooper Hoffman, Alana Haim and Benny Safdie, is in talks to potentially have a Cannes 2021 premiere.
One of the most acclaimed and well-respected filmmakers of his generation is Paul Thomas Anderson (PTA). If you called PTA a master of his craft, you won’t hear any argument from me. PTA is the only person to win the top directing prizes at the film festivals in Venice, Berlin, and Cannes. However, PTA has zero individual wins at Oscars despite eight nominations over 20-plus years.
PTA will have another chance at Oscar glory with Soggy Bottom, a film about a high school student’s attempt to become an actor in 1970s Los Angeles. If PTA is going to win his first Oscar, odds are it’s in the screenplay category. A showdown between Wes Anderson and PTA in the screenplay category is imminent. Sign me up for that battle!
Will Dune be a hit with the Academy?
Dune is at the top of my most anticipated movies of 2021. However, I fear the battle between Warner and Denis Villeneuve will intensify after this decision to keep #Dune as an HBO Max + theaters agreement. Please work this out! https://t.co/zzpg1BrUVt
West Side Story might be at the top of many lists for anticipated films of 2021, but my pick is Dune, the sci-fi epic from Denis Villeneuve. Sci-fi rarely gets rewarded in the top categories at the Oscars, but Villeneuve did just that with a Best Picture and Best Director nomination for 2016’s Arrival. With a star-studded cast headlined by Timothée Chalamet, Dune has all the makings of an Oscar hit.
Dune‘s success will predicate on its release strategy. As of now, Dune will have a simultaneous release in theaters and on HBO Max. Villeneuve is clearly opposed and upset with this decision as evidenced in his open letter to Warner Bros. Dune debuting on HBO Max would be a huge win for the streaming service, but it would piss of its director. I think there’s a compromise on the horizon similar to what Paramount+ will do with its new 45-day release window.
Quick Hits
Leonardo DiCaprio will have two high-profile releases in Killers of the Flower Moon and Don’t Look Up. It looks like he’ll run supporting for Flower Moon and lead for Don’t Look Up. A double nominee is not out of the question.
Speaking of Scorsese, he’s taking his talents to a new streaming service, Apple TV+, for the aforementioned Killers of the Flower Moon. Up to this point, this is Apple’s best chance to win Oscars.
Every year, Netflix has one golden goose to push during awards season. Last year, it was Mank. In 2021, it will be Adam McKay’s Don’t Look Up, with a cast that’s more stacked than the 2020-2021 Nets.
Will Frances McDormand tie the record for most acting Oscar wins with four? It’s possible, but after her win for Nomadland, she has to be included with Meryl Streep for the best living actress.
In my defense, most of these films were pushed to 2021. However, I will pat myself on the back for Nomadland, Trial of the Chicago 7, and Mank. We don’t have to talk about my Hillbilly Elegy prediction.
Without further ado, my way-too-early predictions for the 2022 Oscars. Keep in mind that Best Picture will be set at 10 nominees as part of the Academy’s diversity and inclusivity initiative.
2022 Oscars: Predictions
Best Picture
Don’t Look Up
Dune
The French Dispatch
House of Gucci
Killers of the Flower Moon
Nightmare Alley
Passing
Soggy Bottom
The Tragedy of Macbeth
West Side Story
Best Actor
Adam Driver – House of Gucci
Oscar Isaac – The Card Counter
Richard Jenkins – The Humans
Jesse Plemons – Killers of the Flower Moon
Denzel Washington – The Tragedy of Macbeth
Best Actress
Lady Gaga – House of Gucci
Jennifer Hudson – Respect
Jennifer Lawrence – Don’t Look Up
Frances McDormand – The Tragedy of Macbeth
Tessa Thompson – Passing
Best Supporting Actor
Bradley Cooper – Soggy Bottom
Leonardo DiCaprio – Killers of the Flower Moon
Bryan Tyree Henry – Red, White and Water
Jared Leto – House of Gucci
Jesse Plemons – Power of the Dog
Best Supporting Actress
Jodie Comer – The Last Duel
Ariana DeBose – West Side Story
Regina King – The Harder They Fall
Rooney Mara – Nightmare Alley
Ruth Negga – Passing
Best Director
Paul Thomas Anderson – Soggy Bottom
Jane Campion – Power of the Dog
Adam McKay – Don’t Look Up
Martin Scorsese – Killers of the Flower Moon
Steven Spielberg – West Side Story
Leave your predictions in the comments below or tweet me, @danny_giro.
The long wait is over. We’ve reached the finish line. The 2021 Oscars are finally upon us.
It still hasn’t hit me that the 93rd Academy Awards are in late-April this year as opposed to February. The ghost of 2020 is still haunting the world as the film community is rewarding films that came out well over one year ago. Blame COVID, not the industry.
As someone who adores the Oscars, it’s tough for me to get excited about this year’s ceremony because of what’s going on in the world. I’m going to watch every minute of the ceremony, but my excitement won’t be nearly as high as years prior. I also didn’t see any of the nominated films in a theater. Boy does that suck.
Enough of the pity party though. I love making predictions and that’s exactly what I’m going to do. Let’s end the film year with an 80% success rate on my picks. Here we go.
As someone who loves and appreciates everything about the film industry, I have to be honest about this year’s Best Picture race. A lot of these films are good, but not great. It pains me to type that, but it’s the truth. I’m going to blame the pandemic for thwarting the entire 2020 movie release schedule. Many of these films would have been better off being seen in a theater, which would have increased my positivity.
Compared to last year, this year’s crop of nominees is significantly weaker. That was bound to happen considering last year’s ceremony had a stacked lineup of films from extraordinary filmmakers like Martin Scorsese, Quentin Tarantino, Bong Joon-ho, and Greta Gerwig.
When the best movie I saw in 2020 isn’t eligible for a nomination (Mangrove from Steve McQueen), you’re going to run into some problems. Out of the eight nominees, Judas and the Black Messiah captivated my attention the most. It would get my first-place vote. However, Nomadland, which I enjoyed, will cap off a dominate awards season with the ceremony’s top prize.
Who Should Win:Judas and the Black Messiah Who Will Win: Nomadland
I would argue that the 93rd Oscars features good films with great directors. All five of these directors are great in their own way. I would love nothing more than to award David Fincher with the Oscar he deserves, but it won’t happen this year. Chloé Zhao will become the second female to ever win Best Director. A well-deserved victory for a thoughtful and compassionate filmmaker.
Who Should Win: Chloé Zhao – Nomadland Who Will Win: Chloé Zhao – Nomadland
Chadwick is going to win an Oscar. My initial thought was to put him in Supporting for MA RAINEY. Now, this opens the door to become a double nominee as he’ll go supporting for DA 5 BLOODS. He deserves all of the recognition in the world. https://t.co/daJsQuzuAw
Don’t let the BAFTA win for Anthony Hopkins throw off your predictions. Chadwick Boseman should win this award. Chadwick Boseman deserves to win this award. Most importantly, Chadwick Boseman will win this award. We miss you, King.
Who Should Win: Chadwick Boseman – Ma Rainey’s Black Bottom as Levee Green Who Will Win: Chadwick Boseman – Ma Rainey’s Black Bottom as Levee Green
BEST ACTRESS
Viola Davis – Ma Rainey’s Black Bottom as Ma Rainey
Andra Day – The United States vs. Billie Holiday as Billie Holiday
Vanessa Kirby – Pieces of a Woman as Martha Weiss
Frances McDormand – Nomadland as Fern
Carey Mulligan – Promising Young Woman as Cassandra “Cassie” Thomas
Out of all the acting categories, Best Actress is the hardest to predict. All of the nominees besides Kirby won Best Actress at key ceremonies. Day won the Golden Globe, Davis won the SAG, Mulligan won the Critics’ Choice, and McDormand won the BAFTA. In other words, it’s as close to a toss-up as you can get. My personal pick would be Mulligan, but if I’m guessing who the voters will choose, it’s between Davis and McDormand. Since Nomadland is due for a big night, I’ll take McDormand for the win.
Who Should Win: Carey Mulligan – Promising Young Woman as Cassandra Thomas Who Will Win: Frances McDormand – Nomadland as Fern
BEST SUPPORTING ACTOR
Sacha Baron Cohen – The Trial of the Chicago 7 as Abbie Hoffman
Daniel Kaluuya – Judas and the Black Messiah as Fred Hampton
Leslie Odom Jr. – One Night in Miami… as Sam Cooke
Paul Raci – Sound of Metal as Joe
Lakeith Stanfield – Judas and the Black Messiah as William “Bill” O’Neal
Daniel Kaluuya should and will win at the Oscars. He’s a stud that consistently turns in captivating performances. I’m a big Kaluuya fan. However, this has to be category fraud, right? I would say that Kaluuya and Stanfield are co-leads, but I understand why he’s in supporting because no one is beating Chadwick nor should anyone beat Chadwick. Paul Raci is the only guy in this category who’s truly a supporting actor so by default, he should win. How can you not love Raci? The guy is so damn cool. (Raci receiving a nomination was one of my favorite moments this season.)
I love Youn Yuh-jung. She’s been such a delight to watch on the awards circuit. Watching her call British people “snobs” was one of the best laughs I’ve had in months. She’s going to win at Oscars, but I wish it went to Maria Bakalova. Her performance in Borat 2 was out-of-this-world good. To steal the show from Sacha Baron Cohen seemed downright impossible, but Bakalova easily won the movie.
Who Should Win: Maria Bakalova – Borat Subsequent Moviefilm as Tutar Sagdiyev Who Will Win: Youn Yuh-jung – Minari as Soon-ja
BEST ORIGINAL SCREENPLAY
Judas and the Black Messiah – Screenplay by Will Berson and Shaka King; Story by Berson, King, Keith Lucas and Kenny Lucas
Minari – Lee Isaac Chung
Promising Young Woman – Emerald Fennell
Sound of Metal – Screenplay by Abraham Marder and Darius Marder; Story by Derek Cianfrance and D. Marder
The Trial of the Chicago 7 – Aaron Sorkin
Since 2019, Emerald Fennell created Killing Eve Season 2, acted in The Crown, and wrote/directed Promising Young Woman. That’s a hell of a two-year stretch. Fennell’s picked up major wins at the BAFTAs and WGAs so I don’t see her losing this category. Promising Young Woman also had one of the best plot twists of the last five years.
Who Should Win:Promising Young Woman – Emerald Fennell Who Will Win: Promising Young Woman – Emerald Fennell
BEST ADAPTED SCREENPLAY
Borat Subsequent Moviefilm – Screenplay by Sacha Baron Cohen, Peter Baynham, Jena Friedman, Anthony Hines, Lee Kern, Dan Mazer, Erica Rivinoja and Dan Swimer; Story by Baron Cohen, Hines, Nina Pedrad and Swimer; Based on the character by Baron Cohen
The Father – Christopher Hampton and Florian Zeller, based on the play by Zeller
I said this last year and I’ll say it again,. When in doubt, choose Pixar. Soul in a landslide.
Who Should Win:Soul – Pete Docter and Dana Murray Who Will Win: Soul – Pete Docter and Dana Murray
BEST INTERNATIONAL FEATURE FILM
Another Round (Denmark)
Better Days (Hong Kong)
Collective (Romania)
The Man Who Sold His Skin (Tunisia)
Quo Vadis, Aida? (Bosnia and Herzegovina)
Mads, let’s get drunk.
Who Should Win:Another Round (Denmark) Who Will Win: Another Round (Denmark)
BEST DOCUMENTARY FEATURE
Collective
Crip Camp
The Mole Agent
My Octopus Teacher
Time
I didn’t see My Octopus Teacher, but it won the BAFTA and the PGA. It’s the leader in the clubhouse. However, I’m going with the upset and picking Time.
Who Should Win:Time Who Will Win: Time
BEST ORIGINAL SCORE
Da 5 Bloods – Terence Blanchard
Mank – Trent Reznor and Atticus Ross
Minari – Emile Mosseri
News of the World – James Newton Howard
Soul – Trent Reznor, Atticus Ross and Jon Batiste
TENET WAS ROBBED! JUSTICE FOR LUDWIG!
If Ludwig can’t win, I have no problems with Trent and Atticus winning more Oscars with the help of Mr. Jon Batiste.
Who Should Win:Tenet – Ludwig Göransson (not nominated) Who Will Win: Soul – Trent Reznor, Atticus Ross and Jon Batiste
BEST ORIGINAL SONG
“Fight for You” from Judas and the Black Messiah – Music by D’Mile and H.E.R.; lyric by H.E.R. and Tiara Thomas
“Hear My Voice” from The Trial of the Chicago 7 – Music by Daniel Pemberton; lyric by Celeste and Pemberton
“Husavik” from Eurovision Song Contest: The Story of Fire Saga – Music and lyric by Rickard Göransson, Fat Max Gsus and Savan Kotecha
“Io sì (Seen)” from The Life Ahead – Music by Diane Warren; lyric by Laura Pausini and Warren
“Speak Now” from One Night in Miami… – Music and lyric by Sam Ashworth and Leslie Odom Jr.
Can’t say I’ve revisited these songs like I did with “Shallow.” A Eurovision win would be fun and in a COVID year, maybe a fun song is exactly what we need. I’ll go with the safer pick and choose Leslie Odom Jr. If Odom wants to perform “The Room Where It Happens” from Hamilton, I wouldn’t be opposed.
https://www.youtube.com/watch?v=295zT92knI4
Who Should Win: “Husavik” from Eurovision Song Contest: The Story of Fire Saga – Music and lyric by Rickard Göransson, Fat Max Gsus and Savan Kotecha Who Will Win: “Speak Now” from One Night in Miami… – Music and lyric by Sam Ashworth and Leslie Odom Jr.
BEST CINEMATOGRAPHY
Judas and the Black Messiah – Sean Bobbitt
Mank – Erik Messerschmidt
News of the World – Dariusz Wolski
Nomadland – Joshua James Richards
The Trial of the Chicago 7 – Phedon Papamichael
Mank received 10 nominations. They have to win some Oscars, right? The technical categories is where Mank can do some damage. Nomadland is the favorite after it’s BAFTA win, but I’m going with Mank, who won the ASC, in a slight upset.
Who Should Win:Nomadland – Joshua James Richards Who Will Win: Mank – Erik Messerschmidt
BEST SOUND
Greyhound – Beau Borders, Michael Minkler, Warren Shaw and David Wyman
Mank – Ren Klyce, Drew Kunin, Jeremy Molod, Nathan Nance and David Parker
News of the World – William Miller, John Pritchett, Mike Prestwood Smith and Oliver Tarney
Soul – Coya Elliot, Ren Klyce and David Parker
Sound of Metal – Jaime Baksht, Nicolas Becker, Philip Bladh, Carlos Cortés and Michelle Couttolenc
There’s a movie with the word “sound” in its title. Enough said.
Who Should Win:Soul – Coya Elliot, Ren Klyce and David Parker Who Will Win: Sound of Metal – Jaime Baksht, Nicolas Becker, Philip Bladh, Carlos Cortés and Michelle Couttolenc
BEST PRODUCTION DESIGN
The Father – Production Design: Peter Francis; Set Decoration: Cathy Featherstone
Ma Rainey’s Black Bottom – Production Design: Mark Ricker; Set Decoration: Karen O’Hara and Diana Sroughton
Mank – Production Design: Donald Graham Burt; Set Decoration: Jan Pascale
News of the World – Production Design: David Crank; Set Decoration: Elizabeth Keenan
Tenet – Production Design: Nathan Crowley; Set Decoration: Kathy Lucas
Mank is pulling a Mad Max: Fury Road at the Oscars with these technical wins.
Who Should Win:Tenet – Production Design: Nathan Crowley; Set Decoration: Kathy Lucas Who Will Win: Mank – Production Design: Donald Graham Burt; Set Decoration: Jan Pascale
BEST MAKEUP AND HAIRSTYLING
Emma. – Laura Allen, Marese Langan and Claudia Stolze
Hillbilly Elegy – Patricia Dehaney, Eryn Krueger Mekash and Matthew W. Mungle
Ma Rainey’s Black Bottom – Sergio Lopez-Rivera, Mia Neal and Jamika Wilson
Mank – Colleen LaBaff, Kimberley Spiteri and Gigi Williams
Pinocchio – Dalia Colli, Mark Coulier and Francesco Pegoretti
Emma winning here would be a delight. Watch out for Hillbilly Elegy. I’ll go with the 1920s drama that made me want to crush a Coke.
Who Should Win:Emma. – Laura Allen, Marese Langan and Claudia Stolze Who Will Win: Ma Rainey’s Black Bottom – Sergio Lopez-Rivera, Mia Neal and Jamika Wilson
BEST COSTUME DESIGN
Emma. – Alexandra Byrne
Ma Rainey’s Black Bottom – Ann Roth
Mank – Trish Summerville
Mulan – Bina Daigeler
Pinocchio – Massimo Cantini Parrini
The last film to win in both the makeup and costume categories was Mad Max: Fury Road. Can Ma Rainey do the same at this year’s Oscars? I don’t think so. I’m riding the Mank train for the technical categories and going with the upset.
Who Should Win:Ma Rainey’s Black Bottom – Ann Roth Who Will Win: Mank – Trish Summerville
BEST FILM EDITING
The Father – Yorgos Lamprinos
Nomadland – Chloé Zhao
Promising Young Woman – Frédéric Thoraval
Sound of Metal – Mikkel E.G. Nielsen
The Trial of the Chicago 7 – Alan Baumgarten
Three of last five winners of the ACE Eddie Award for editing went on to win Oscars in the same category. The Trial of the Chicago 7 won the ACE Eddie. That’s the pick here.
Who Should Win:Sound of Metal – Mikkel E.G. Nielsen Who Will Win: The Trial of the Chicago 7 – Alan Baumgarten
BEST VISUAL EFFECTS
Love and Monsters – Genevieve Camailleri, Brian Cox, Matt Everitt and Matt Sloan
The Midnight Sky – Matthew Kasmir, Chris Lawrence, Max Solomon and David Watkins
Mulan – Sean Andrew Faden, Steve Ingram, Anders Langlands and Seth Maury
The One and Only Ivan – Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez
Tenet – Scott R. Fisher, Andrew Jackson, David Lee and Andrew Lockley
The best movie on this list is Tenet. The Academy loves Nolan films from a technical side. That trend will continue Sunday night.
Who Should Win:Tenet – Scott R. Fisher, Andrew Jackson, David Lee and Andrew Lockley Who Will Win: Tenet – Scott R. Fisher, Andrew Jackson, David Lee and Andrew Lockley
For the final three categories, I’m not going to pretend I know anything about them. I haven’t seen any of the shorts. I wish they were more accessible throughout the year instead of making them available in one virtual theater before the ceremony. Since I didn’t see any of these films, I’ll only pick “who will win.”
BEST DOCUMENTARY SHORT SUBJECT
Colette – Alice Doyard and Anthony Giacchino
A Concerto Is a Conversation – Kris Bowers and Ben Proudfoot
Do Not Split – Charlotte Cook and Anders Hammer
Hunger Ward – Skye Fitzgerald and Michael Shueuerman
A Love Song for Latasha – Sophia Nahali Allison and Janice Duncan
Who Will Win: A Love Song for Latasha – Sophia Nahali Allison and Janice Duncan
BEST LIVE ACTION SHORT FILM
Feeling Through – Doug Roland and Susan Ruzenski
The Letter Room – Elvira Lind and Sofia Sondervan
The Present – Ossama Bawardi and Farah Nabulsi
Two Distant Strangers – Travon Free and Martin Desmond Roe
White Eye – Shira Hochman and Tomer Shushan
Oscar Isaac was in The Letter Room. Let’s do that.
Who Will Win: The Letter Room – Elvira Lind and Sofia Sondervan
BEST ANIMATED SHORT FILM
Burrow – Michael Capbarat and Madeline Sharafian
Genius Loci – Adrien Mérigeau and Amaury Ovise
If Anything Happens I Love You – Michael Govier and Will McCormack
Opera – Erick Oh
Yes-People – Arnar Gunnarsson and Gísli Darri Halldórsson
Who Will Win: If Anything Happens I Love You – Michael Govier and Will McCormack
Thank you for reading my discussions about the Oscars all year. I really appreciate it. Follow me on Twitter, @danny_giro.
One of the greatest philosophers of the 21st century, Dominic Toretto, once said, “I don’t have friends. I got family.” For me, there’s my immediate family, and then there’s my Fast and Furious family.
I love the Fast and Furiousfranchise with my whole heart. For the past 20 years, it has provided so much joy in my life. After watching the second trailer for F9, I’m convinced the ninth installment will end the pandemic.*
*I’m joking… or am i?
Here’s the official synopsis for F9, which is set to open on June 25, 2021.
Vin Diesel’s Dom Toretto is leading a quiet life off the grid with Letty and his son, little Brian, but they know that danger always lurks just over their peaceful horizon. This time, that threat will force Dom to confront the sins of his past if he’s going to save those he loves most. His crew joins together to stop a world-shattering plot led by the most skilled assassin and high-performance driver they’ve ever encountered: a man who also happens to be Dom’s forsaken brother, Jakob (John Cena).
If that doesn’t make you want to sit in a movie theater with a large popcorn and soda, then I don’t know what will. For my money, The Fast Saga is one of the best (action) franchises ever made. Speaking of money, consumers tend to agree with my assessment because it’s the seventh highest-grossing film franchise of all time at the box office.
The fact that the Fast Saga has survived two decades is unfathomable. Why has The Fast Saga been so successful? Two reasons: Adaptability and following a proven formula.
First, the franchise continues to adapt, raising the stakes in every subsequent movie. Remember when the first film in the franchise, The Fast and the Furious, revolved around stealing electronic goods off of tractor-trailers? Now, the franchise is heading to SPACE! The Fast and the Furious feels like a character-driven indie compared to the later films, which are giant action spectacles.
To think the Fast and Furious saga started off with Dom and his crew robbing DVD players off of trucks is bananas. What a journey for the Fast franchise.
F1, F2, and F4 (sorry, Tokyo Drift) leaned into Office Brian O’Connor and how his friendship with Toretto conquers all. F5, F6, and F7, which happens to be the strongest three-film stretch in the franchise, saw Dom’s crew on the run from the government as they fought to come back home. F8 upped the ante even further as Dom turned heel and the crew faced off against a cyberterrorist. Dom Toretto has gone from a well-known street racer to a superhuman crime fighter who can jump from building to building without a scratch.
One of The Fast Saga‘s greatest strengths is that it knows its identity. In every movie, Dom and his crew are threatened by a villain who wants to break up the family. Dom won’t let that happen so his crew pulls out all the stops to save the day and more importantly, keep the family intact. This proven formula works time and time again.
The Fast Saga is the perfect form of escapism. It’s big, loud, and entertaining. There are unrealistic action sequences that are borderline ridiculous. The dialogue is built around witty one-liners about family and Roman’s stupidity. But guess what? This script works. When describing the violence in his movies, Quentin Tarantino said, “Kill Bill’s a violent movie. But it’s a Tarantino movie. You don’t go to see Metallica and ask the fuckers to turn the music down.” I feel the same way about F9.
I’m not going into F9 expecting Citizen Kane or The Godfather. I want to have a good time with my Fast family, and if the trailer is any indication of what’s to come, then my wish will be granted.
By Paul, For Paul.
"Ask any racer, any real racer. It doesn't matter if you win by an inch or a mile; winning's winning." 19 years ago, our friends became our family. Thank you, The Fast and Furious. pic.twitter.com/5kFhkUjibu
To sum up Randall and Kevin Pearson’s relationship on This Is Us, I turn to one of the smartest and wisest movies ever made, High School Musical 2. There’s a scene between Troy and Chad where Troy apologizes for being a jerk over the summer. Troy says, “Hey, brothers fight,” to which Chad says, “And they’re still brothers.”
Is that the greatest brotherly quote ever? Randall and Kevin fight, but they’re still brothers. Finally, it was time for “The Talk” between Randall and Kevin. Did the brothers become closer or move farther apart?
This Is Us Season 5 Episode 13 Recap: “Brotherly Love”
Randall traced his battle with identity and race all the way back to his childhood. The episode starts with a 5-year-old Randall spending time in the kitchen with a black couple. It’s clearly a fantasy, but more on that later.
In a flashback, it’s boys’ weekend at the Pearson household and Jack takes 5-year-old Randall and Kevin to a taping of Mister Rogers’ Neighborhood. While in line at the show, a PA mistakes another white boy as Jack’s second son instead of acknowledging Randall. Jack forgives the PA for the mistake, but it stings Randal. To overcompensate for the mistake, Jack asks the PA to give Randall a “special seat” with a great view of Mister Rogers, much to Kevin’s dismay. Kevin then acts out the entire taping because of his jealousy for Randall.
Before leaving the set, Randall is alone with one of the puppets on stage. Randall reveals to the puppet that he created a set of imaginary parents for himself. These imaginary parents are a black weatherman and a black librarian, who happen to be two of the only black people that Randall sees daily. The puppet says it’s ok to create this fantasy, which makes a young Randall smile.
The College Boys
It was an emotional ride, but they finally worked it out.
In the second flashback on This is Us, a late teenage Randall visits Kevin in Los Angeles. Randall is in town for a Model UN conference while Kevin tries to make it as an actor. Kevin calls Randall the “Fresh Prince” upon arrival at his small, beatdown apartment.
After some small talk, Kevin convinces Randall to go out clubbing, and the brothers start to drink like fish. I just want to say that Kevin is a MANIAC for taking straight shots of cheap vodka. Randall starts to loosen up with more liquid courage and takes a hurtful jab at a painting on the wall. Then, Kevin gives Randall a fake ID of a black guy who looks nothing like him. When Randall relays his concerns, Kevin says it will be fine since they’re “both black guys.”
On the cab ride to the club, Kevin is obnoxious to the black cab driver, requesting music changes and demanding specific routes to take. Annoyed, Randall tries to defuse the situation, but it leads to an argument, and the cab driver kicks the brothers out of the car. Randall and Kevin then wrestle on the street before calming down and walking back to the apartment.
While in the hallway, Kevin apologizes for being a jerk. Randall specifies that he was a jerk to their black cab driver, and Kevin responds by saying he’s rude to all cab drivers regardless of race. This argument is a microcosm of their relationships with race. Kevin overlooks Randall’s race despite blackness and identity being very important to Randall. In turn, Randall never wants to discuss race with Kevin for fear of an argument and elects to diffuse any situation where it’s brought up.
The boys eventually make up. Kevin admits he’s a struggling actor and says he’s jealous of Randall because he seems to have it all figured out (Beth, college, future, etc). Randall comforts Kevin by complimenting his painting, taking back his previous insult.
In the present on This Is Us, Kevin arrives at Randall’s house, and the two waste no time diving. Kevin acknowledges that Randall probably had a tough, racially charged childhood. It could not have been easy growing up as the only black kid in a white family, living in a predominantly white area. Kevin shares his regret for not defending Randall when the racist father of his prom date humiliates Randall for being black.
While Kevin’s words are sincere, Randall doesn’t accept this defense because frankly, he believes it’s not a true apology. Kevin is just saying what he thinks Randall wants to hear instead of taking responsibility for his racial blindspots.
When the duo locks themselves out of the house, Randall tells Kevin he’s not an intentional racist. However, Randall explains that Kevin’s ignorance towards race was the true problem. Kevin insists that jealousy, not race, was the heart of his problems with Randall. On the flip side, Randall questions if his relationship with Kevin would have been different if he were white and accuses his brother of never accepting his blackness.
The argument showed no signs of slowing down after returning to the house. A defensive Kevin believes Randall is ungrateful for the life that Jack and Rebecca gave him. It’s actually the opposite. Randall is very grateful for his adoption but does wish he could have had a life with his birth parents. It’s here where Randall explains ghost kingdoms and how the black weatherman and black librarian in their town were his imaginary parents. Kevin finally starts to understand where Randall is coming from and the two start to reconcile.
Later in the night, Kevin finally accepts responsibility for his inconsiderate treatment of Randall. Kevin’s jealously stemmed from the fact that Randall’s blackness gave him special treatment so Kevin lashed out and tried to put Randall down because of it. This is the apology Randall was looking for all along. The episode ends with Kevin embracing Beth and the girls as Randall looks on with a smile.
That night, Randall dreams about his ghost kingdom, but this time, it’s with William and Laurel. Randall can finally dream about a life with his real parents, which puts him at ease.
There is a storm coming on This Is Us that would make Selina Kyle jealous. The impending storm involves a serious conversation between Randall and Kevin about race, childhood, and their future as brothers. But first, coffee*.
I’m drinking coffee right now so in the moment, that phrase feels right even though it has nothing to do with This Is Us.
This Is Us Season 5 Episode 12 Recap: “Both Things Can Be True”
No bond is stronger than that of the Big Three. It’s the Fort Knox of sibling relationships. Because of this, those on the outside looking in end up bonding since they can’t join the exclusive club. We’ve seen the “Other Big 3” bond before in a text chain. Miguel, Beth, and Toby can now add Madison to the group.
Madison and Toby spent some time at the park with their children as Kevin worked on wedding plans and Kate started her new job at the school. Both Madison and Toby are hiding secrets from their significant others. Madison wants a new wedding venue while Toby struggles with Kate’s employment opportunity since he’s now a stay-at-home dad.
Madison and Toby urge each other to come clean with Kevin and Kate. Madison asks Kevin to change the wedding venue, and he agrees without pushback. On the other hand, Toby does not reveal his feelings about work after Kate shares her excitement about helping a young girl sing “I Could Have Danced All Night” from My Fair Lady. I’ll give it a few episodes before Toby and Kate argue about their future.
In Philadelphia, Beth nervously prepares for a “date” between Tess and her new friend (are they officially dating?), Alex. Beth quizzes herself on Alex’s preferred pronouns and promises to accept Tess’s new relationship. Things were going fine until Beth opens the door to Tess’s room and discovers the duo huddled close on the bed. After Beth asks Tess and Alex to study downstairs, Tess abruptly calls Beth a psycho. Calling your mother a psycho is a death sentence so Beth asks Alex to leave. This starts an argument where Tess accuses Beth of having a “look” when she saw Tess with another girl.
Beth takes some time to cool down and vent to her mother, Carol, about her own feelings towards Tess and her future. Beth explains how she always dreamed of Tess dating boys and marrying a wonderful man, but would let that dream go in favor of what her daughter wants. In her mind, Beth thinks she let that dream go, but Tess begs to differ. Carol describes how it’s not ok to just let go of her thinking. Carol says Beth must adjust to this new reality, relating it to her relationship with her daughter and how she wasted 20 years holding on to false hope. It was here I knew that This Is Us was pulling our heartstrings tonight.
Finally, Beth and Tess attempted to smooth things over in their relationship. Tess is sad that Beth has to “try” in their relationship when that’s not Deja’s or Annie’s case. Beth swears that they’re still close, but Tess doesn’t wholeheartedly agree with this notion. I applaud This Is Us for making this a marathon and not a sprint. The show could’ve easily ended this argument after one episode so I’m glad that this subject and tension will continue between Beth and Tess.
Is Miguel the nicest guy to ever exist on This Is Us? Seriously, Miguel is such a good friend. When Jack decides to propose to Rebecca, Miguel helps his friend every step of the way. While practicing the proposal, Jack accidentally jams the engagement ring onto Miguel’s finger, which causes it to get stuck.
As the men try to get the ring off, Rebecca’s dad arrives to let Jack know that he will accept the proposal, but won’t give Jack his blessing. Jack views this as a win, but Miguel passionately defends Jack’s honor and praises his friend’s heroic qualities. Although he doesn’t say a word, Jack’s father seems to reconsider and offers to help get the ring off Miguel’s finger.
In the present, Miguel also moonlights as a wedding planner and meets with Kevin to discuss the rehearsal dinner. Surprisingly, Uncle Nicky wants to plan the wedding, too. Nicky clearly has an ulterior motive, and it’s revealed when he takes an unnecessary shot at Miguel for marrying Rebecca after Jack’s death. It’s a huge low blow if you ask me. Miguel had every right to punch Nicky, but instead, he takes the high road and explains how he thinks about what Jack would think of this marriage every single day and how he’ll never have a chance to explain his reasons.
Later that night, Nicky calls Miguel to apologize for the insult. Once again, Miguel shows such restraint and forgives Nicky for the cheap shot. Miguel goes one step further and tells Nicky that Jack never fully cut his brother out of his life. In the past, Jack asked Miguel to stand on the altar and say a few words at the reception but never says “Best Man,” because Miguel believes that spot was always reserved for Nicky.
I’m still convinced Miguel will die at some point. I wrote this a few weeks ago.
While Nicky and Miguel bicker, Kevin tries to muster up the courage to ask Randall to be his best man. After trying to write an email, Kevin finally calls Randall and asks him to be his best man. To Kevin’s surprise, Randall happily accepts. When Kevin tries to talk with Randall about their childhood, Randall, who had an emotional day at therapy, passes and says to do it another time.
However, Kevin wants to have “the talk” in person and offers to visit Randall in Philadelphia. Randall accepts the proposal.
Next week, the brothers will sit down and hash out their issues. It’s long overdue.
Also, shoutout to Kevin’s exes, who read about his engagement in the tabloids. I can’t wait for Sophie to show up and profess her love for Kevin.
What is “The Big Three?” It’s not LeBron James, Dwyane Wade, and Chris Bosh. The trio I’m referring to is the Golden Globes, SAG Awards, and Oscars. These are the three biggest mainstream awards for films. If a film or actor does well at the Globes and SAGs, then it’s probably going to win an Oscar.
On Sunday, the SAG Awards will hand out some hardware. After Sunday night, will the Oscar races heat up or cool down?
Will The SAG Awards Alter The Oscar Race?
Do the SAG Awards affect the Oscar race?
The short answer is yes. The SAG Awards matter. Just look at last year’s results.
Every winner in the five major categories went on to win the Oscar in their corresponding category. I doubt that this trend will happen two years in a row. Why is that? Look at the Outstanding Performance by a Cast category for 2020 below. What notable film is missing?
The answer is Nomadland, which is the heavy favorite at -400 to win Best Picture according to Vegasinsider. Since 2010, five winners of Outstanding Cast went on to win Best Picture at the Oscars. During that same time frame, 2017 (The Shape of Water) and 2018 (Green Book) where the Best Picture winner didn’t receive an Outstanding Cast nomination.
Despite the lack of a SAG nom, Nomadland won the top prize at the Golden Globes and the Producers Guild Awards. The latter is noteworthy because the PGA winner won the Oscar for Best Picture 10 of the last 13 years. I’m expecting Nomadland to make it 11 out of 14. If I had to pick one film to play spoiler, it would be Minari. If Minari wins the SAG for Outstanding Cast, it could ride that momentum to the Oscars just like Parasite did last year.
In the acting categories, the male races seem all but over. The SAG Awards are voted on by actors and the acting community’s reaction to Chadwick Boseman’s campaign has been universally positive. He may receive every single first-place vote for Outstanding Lead Actor. The same could be said for Daniel Kaluuya, whose captivating performance in Judas and the Black Messiah should result in SAG and Oscar gold.
On the female side, it’s a bit cloudier. Frances McDormand, who has won two SAG Awards for Leading Actress in a Film and two Oscars for Best Actress, is the favorite, and rightfully so. She’s awesome in everything she does including Nomadland. However, watch out for Carey Mulligan. Her performance in Promising Young Woman garnered excellent reviews, which led to important wins at Critics Choice Awards and National Board of Review. Whoever wins the SAG will be the favorite to win the Oscar.
In the supporting actress category, your guess is good as mine. You might be better off closing your eyes and pointing at a name. Maria Bakalova, my personal pick to win, and Youn Yuh-jung are the two names to watch. The two women have gone back and forth all season, alternating wins in every critic’s circle beside the Golden Globes. Bakalova recently won the Critics Choice Award so I give her the slight edge going into the SAG.
Uncle Nicky’s origins have been somewhat mysterious since his introduction. We know Nicky and Jack were close until that fateful day in the Vietnam War when Uncle Nicky’s mistake accidentally led to the death of a child. That resulted in a separation between the brothers as Jack tried to put his life pre-Vietnam behind him even if that meant alienating Nicky. Last night on This Is Us, we received a glimpse at a happier Nicky and what his life could have been.
This Is Us Season 5 Episode 11 Recap: “One Small Step …”
Although he became jaded and secluded in his elder years, Nicky was quite the opposite as a young man. Nicky was a shy, happy, and intelligent guy who lived with his parents and worked at a veterinary clinic. On the day of the moon landing in 1969, Jack, who moved out of the house, visits Nicky and tells him to get out of the house and go out on a date. It turns out that Nicky has the perfect girl to take out in Sally, his coworker.
Nicky and Sally bond over his love and appreciation for the moon. The duo become inseparable as Nicky forms a deep, loving connection with Sally and her van, “Pearl.” One night, Sally asks Nicky to come with her to Woodstock, and then to California to work on her cousin’s farm. Nicky hesitantly agrees at first, but after receiving Jack’s blessing, decides to take the leap of faith with Sally and travel the country.
Unfortunately, Nicky develops cold feet on the night he’s supposed to leave with Sally. After bonding with his father over the moon, Nicky decides to stay, mainly to protect his mother from his abusive father. Nicky noted that he’s “better with her when I’m around.”
We know that Jack and Nicky met up at least once post-Vietnam when Jack essentially cut Nicky out of his life. It turns out there was a chance for a second meet-up. A few years after Vietnam, Nicky is in bad shape and clearly needs help. His old war buddy tells him about meeting up with some members of their unit to celebrate one of their engagements. More importantly, Nicky learns that Jack will be there.
Despite his fears, Nicky musters up the courage to attend this party. Upon arrival, Nicky notices Jack enter the building, but hesitates to say anything and remains in the parking lot. Inside, Jack receives advice on how to deal with his tough past and how to move on. He’s told to forget about his old life, lock it away, and focus on forming a new life with Rebecca. This advice explains why Jack moved on from Nicky. However, Nicky still had a chance to speak with Jack in the parking lot. Just when he’s about to call out his name, Nicky stops in his tracks when Jack looks at the engagement ring he bought for Rebecca. The brothers then go their separate ways.
Great Uncle Nicky
In the present-day on This Is Us, Nicky surprises Kevin and Madison at their doorstep. He explains how he received an invitation for the twins’ baptism and decided to show up even if the ceremony was taking place on Zoom. As someone with a 90-year-old Grandma who doesn’t use Zoom, I totally sympathize with this mistake.
Anyways, before arriving in Los Angeles, Nicky enlisted the help of Cassidy to prepare for the trip. Nicky is really excited about the trip and even makes two beautiful snowglobes by hand to give to the twins. Unfortunately, Nicky can’t bring his presents past TSA, which leads to Nicky accidentally destroying the presents. This reminds me of Chris Rock’s rant about airport security and how it used to be fun to fly.
In typical Kevin fashion, he starts planning activities to do with his uncle and the twins, which freaks Nicky out since he’s not used to his much love. After debating on pulling an Irish Exit to Kevin, Cassidy talks him off the ledge and encourages him to accept their love.
Late at night, Nicky sneaks into the twins’ room and gives an impassioned speech about his life and how regret and fear have held him back. Nick compares the moon landing to his life, that the impossible became possible. If man could land on the moon, then Nicky could be happy.
This was arguably one of my favorite episodes of the season. Uncle Nicky finally got the backstory he deserved. Hopefully, Uncle Nicky is here to stay.
I miss movie theaters. As someone who hasn’t been inside a theater in well over a year (NYC theaters just opened a few weeks ago), I’m ready to sit on a creaky chair, ruin my posture, and snack on some salty popcorn. I even miss paying an absurd price for a ticket, which ranges from $13-$17 depending on the theater.
Let’s focus on price for a second. In most situations, theaters were closed due to the pandemic so studios either released straight to VOD or delayed the release. Because of this, many studios skipped the theatrical experience in favor of video on demand for a premium price of $19.99.
After I paid $19.99 to rent The King of Staten Island last June, my dad said, “$19.99? Expensive movie!” Is twenty dollars an absurd price to pay for a movie at home?
If you’re an average person, then you’re probably not shelling out the money to pay for a premium movie when there are hundreds of movies to choose from on services like Netflix, Amazon, Disney+, Hulu, etc. Throw in the fact that streaming services also provide binge-worthy TV shows like The Office and many moviegoers are passing on a $19.99 movie.
How much would you pay to watch a movie that's in theaters at your home?
What if the movie was from Marvel or Star Wars? What if Leonardo DiCaprio says the hell with Apple TV+ and releases Killers of the Flower Moon straight to VOD for $24.99? What are you willing to pay for giant blockbusters with popular IP and star power?
This question will be put to the test with Black Widow, which will release in theaters July 9 and on Disney+ with Premier Access, which comes with a $30 rental fee. So in addition to a Disney+ subscription, subscribers will need to pay $30 to access Black Widow if they want to watch it at home. If not, then they can see it in a theater.
Probably not, but that’s because I will see it in a theater. However, if I want to watch the film with a group of friends or family members, I might elect to watch it on Disney+ since the $30 price split between a few people will be less than a movie ticket.
The Black Widow new got me thinking about the future of premium VOD and rentals. What would I be willing to spend to watch a movie I desperately wanted to see? Is there a price that’s too high?
To test this theory, I ran down some highly-anticipated movies that either just came out or will come out in the future and determined how much I would pay to watch them at home. Since I’m the only one answering, I’m paying full price for the movie and watching it alone for this hypothetical. I’m not factoring in the split cost of watching with other people.
Black Widow – $19.99
$19.99 might be expensive for indies or a mid-budget film, but for a Marvel movie with a rumored budget of $200m, $19.99 is a fair asking price for Black Widow. If theaters weren’t open, then I would pay the $30. In fact, if I could own Black Widow, I’d easily pay the $30. But since it’s only a rental, $30 is a bit steep for one guy.
Tenet – $19.99
There’s no test involved here because I bought Tenet for $19.99. Inversion!
Dune – $30
Let’s pretend you had to pay a premium price for Dune instead of watching on HBO Max. Dune is one of my most anticipated movies in 2021. With a stellar cast and Denis Villeneuve (one of my favorite directors) at the helm, I’m willing to pay at least $30 for this sci-fi epic. More worms, more money.
It’s hard to put a price on your family, and Dominic Toretto is my brother. I’ve waited four years for my Fast & Furious family to return to theaters. I’d pay $50 right now to watch one of my favorite franchises tear up the (TV) screen.
For the record, if it's a movie that I'm semi-interested in, I'd pay $19.99. If it was for a movie like #F9 or No Time To Die, I'd pay $49.99, no questions asked. To be honest, I'd even pay more than $50 for those two movies.
I lied. I pay $100 for No Time to Die. I need Bond back in my life. Also, shoutout to me for this analysis. Spot on?
I’m not going to overreact and say “Movie theaters are dead.” As long as Marvel/Star Wars/Bond/Huge franchises stay in theaters, then theaters will never die. However, studio release plans will change drastically now.
Anyone up for some credit card roulette? Back in the past, Jack learned to never play credit card roulette, especially with cocky businessmen. The men across from Jack would’ve been snake oil salesmen in the early 1900s. Plus, the waitress should not have the option to look at the cards when playing roulette. She needs to close her eyes or turn away and pick. This game of credit card roulette was fixed. To quote Brodie Broadus from The Wire, “The game is rigged, man.”
Jack spent money he didn’t have, a tale as old as time. However, this moment changed how the Pearson family dealt with money. Rebecca told Jack that she would be handling the finances and putting 10% of Jack’s monthly salary into savings. Well done, Rebecca.
In terms of awkwardness, family dinners are as uncomfortable as they get if all hell breaks loose. Well, all hell did break loose at Randall’s house. Beth has always had a contentious relationship with her mother, Carol (Phylicia Rashad). With Carol in town, Beth feels like a demon is breathing down her neck at all times. (Apologies to Phylicia Rashad. She’s not a demon, but a demanding and judgmental in-law can be someone’s worst nightmare.)
With Carol set to leave the next day, Beth decided to make the perfect dinner as a way to prove her worthiness as a mother and leader of a household. Before sitting down for some chicken curry, Randall shared an important moment with Malik outside on the porch. (Shoutout to Isaac the basil plant.) Malik’s ex-girlfriend, Jennifer, who happens to be the mother of his child, expressed interest in being apart of baby Janelle’s life again. Randall, who spent most of his life wishing he knew his birth parents, supported Malik’s decision to give Jennifer another chance.
As you could expect, dinner became a war zone on This Is Us. Carol threw a backhanded compliment towards Beth about her chicken. Tess scolded Beth for using the wrong pronouns towards her friend, Alex. Tess also revealed that she’s dating Alex, which came as a surprise to Beth since Carol already knew about the relationship. Deja confronted Malik and Randall about Jennifer. Beth finally reached her breaking point and lashed out against Carol. It’s not what you want to see.
After taking some time to relax, everyone finally calmed down. Randall apologized to Deja and reassured her that he will always be #TeamDeja. Beth apologized to her mother after Carol revealed her appreciation towards her daughter and her family. In a surprising twist, Beth told Randall that Carol will be staying at their house indefinitely, which means Randall will be spending a lot more time on the porch.
The Dinner From Hell (In California)
Across the country, there was another dinner full of arguments and awkward moments and no, I’m not referring to an episode of The Real Housewives of Orange County. Kate, Toby, Madison, and Kevin decided to meet for dinner as a temporary escape from their newborns.
Before dinner, Toby asked Kate to not mention the fact he lost his job. Toby was waiting on a potential job offer and did not want to discuss work with Kevin unless he had another job lined up. As soon as the Damons arrived at Kevin’s house, bad news struck when Toby received a rejection email from a potential employer. Throw in the fact that Kevin wants to build a family compound in Mailbu. Toby was bound to explode at some point.
Money is a tricky subject to discuss with other people. No one wants to admit they’re struggling or need help. Our pride gets the better of us. However, people in better financial situations need to understand this concept and respect someone’s wishes when it comes to finances.
Take the above paragraph and apply it to the dinner conversation between Kevin, Toby, Kate, and Madison. After Kevin offered to pay for everyone’s childcare, Toby flipped out and stated he doesn’t want or need Kevin’s money. Toby assumed that Kate told Kevin about their financial troubles, which she did not disclose. Toby then tripled down on outbursts when he called out Kevin and Madison’s nanny for doing all the “hard stuff” of parenthood, which was a cheap shot. Cooler heads prevailed as Kevin and Toby forgave each other later on. Mark my words, this conflict between Kevin and Toby is far from over.
At the end of the night, Kate shared that she’s going back to work as teacher’s assistant, and Toby was less than thrilled with the news. Something tells me things are only going to get worse for Toby. I could see his depression ramping up in future episodes. Hang in there, Tobe.
Kevin was greeted by none other than Uncle Nicky, who showed up on his front porch at the end of the night. Next week will be Uncle Nicky’s time to shine. See you then.
Did you like last night’s episode? Leave your comments below or tweet us, @unafraidshow.
– Ma Rainey’s Black Bottom as Levee Green
