To quote Alan Garner from The Hangover, “How ’bout that ride in?” Before we move on to the 2022 Oscars, we must address the 2021 Oscars. Due to that thing they call “the pandemic,” the Oscars looked a lot different in 2021. With a new date and venue, change isn’t necessarily a bad thing.
After the 2021 ceremony, I found myself wanting a show from years prior. I appreciated some of the risks the producers (Steven Soderbergh was one of the producers) took including the decision to allow winners as much time for as long as they wanted. Without that decision, we don’t get Thomas Vinterberg’s beautiful speech or Daniel Kaluuya’s sex joke. Then again, some people did need to be played off, but that’s the risk.
However, the show desperately needs a host to hold things together. In a year where the films were barely seen by the general public, not including clips for all of the categories was bizarre. Finally, moving Best Picture ahead of Best Actress and Best Actor was a risk that didn’t pay off. The show awkwardly ended with Joaquin Phoenix accepting the award for Anthony Hopkins*, who wasn’t in attendance for his Best Actor win. The producers clearly believed Chadwick Boseman would win and the show would end with a beautiful tribute to a wonderful actor who died too soon. That didn’t happen, and the ending fell flat.
*I was shocked that Boseman didn’t win. However, saying Hopkins didn’t deserve to win is outrageous. Hopkins gave a career-defining performance in The Father. I wanted Boseman to win, and Hopkins gave an incredible, award-winning performance. Both can be true!
With the 2021 Oscars in the rearview, it’s time to look ahead to the 2022 Oscars. I admit that I’m crazy for looking so far ahead, but I love this shit. To all of the studio heads, please release your movies this year. Stop delaying!
2022 Oscars: Initial Thoughts
Steven Spielberg Controls The Board
Mr. Spielberg, the ball is in your court. Type in “most-anticipated movies of 2021” into a search engine and 98% of the articles will include Steven Spielberg’s West Side Story, which arrives in theaters this December. Adapting West Side Story, which won 10 Oscars in 1962 including Best Picture, will be Spielberg’s most ambitious task since 1993’s Schindler’s List. I have no idea what to expect from Spielberg’s musical. It could mirror the sucess of 1961’s adaptation or be a dud like Cats. Actually, I can guarantee it won’t be like Cats so expect West Side Story to receive multiple Oscar nominations. With good reviews and a strong box office performance, West Side Story might be the favorite to win Best Picture next awards season.
Will PTA Finally Win Some Gold?
One of the most acclaimed and well-respected filmmakers of his generation is Paul Thomas Anderson (PTA). If you called PTA a master of his craft, you won’t hear any argument from me. PTA is the only person to win the top directing prizes at the film festivals in Venice, Berlin, and Cannes. However, PTA has zero individual wins at Oscars despite eight nominations over 20-plus years.
PTA will have another chance at Oscar glory with Soggy Bottom, a film about a high school student’s attempt to become an actor in 1970s Los Angeles. If PTA is going to win his first Oscar, odds are it’s in the screenplay category. A showdown between Wes Anderson and PTA in the screenplay category is imminent. Sign me up for that battle!
Will Dune be a hit with the Academy?
West Side Story might be at the top of many lists for anticipated films of 2021, but my pick is Dune, the sci-fi epic from Denis Villeneuve. Sci-fi rarely gets rewarded in the top categories at the Oscars, but Villeneuve did just that with a Best Picture and Best Director nomination for 2016’s Arrival. With a star-studded cast headlined by Timothée Chalamet, Dune has all the makings of an Oscar hit.
Dune‘s success will predicate on its release strategy. As of now, Dune will have a simultaneous release in theaters and on HBO Max. Villeneuve is clearly opposed and upset with this decision as evidenced in his open letter to Warner Bros. Dune debuting on HBO Max would be a huge win for the streaming service, but it would piss of its director. I think there’s a compromise on the horizon similar to what Paramount+ will do with its new 45-day release window.
Leonardo DiCaprio will have two high-profile releases in Killers of the Flower Moon and Don’t Look Up. It looks like he’ll run supporting for Flower Moon and lead for Don’t Look Up. A double nominee is not out of the question.
Speaking of Scorsese, he’s taking his talents to a new streaming service, Apple TV+, for the aforementioned Killers of the Flower Moon. Up to this point, this is Apple’s best chance to win Oscars.
Every year, Netflix has one golden goose to push during awards season. Last year, it was Mank. In 2021, it will be Adam McKay’s Don’t Look Up, with a cast that’s more stacked than the 2020-2021 Nets.
Will Frances McDormand tie the record for most acting Oscar wins with four? It’s possible, but after her win for Nomadland, she has to be included with Meryl Streep for the best living actress.
In my defense, most of these films were pushed to 2021. However, I will pat myself on the back for Nomadland, Trial of the Chicago 7, and Mank. We don’t have to talk about my Hillbilly Elegy prediction.
The long wait is over. We’ve reached the finish line. The 2021 Oscars are finally upon us.
It still hasn’t hit me that the 93rd Academy Awards are in late-April this year as opposed to February. The ghost of 2020 is still haunting the world as the film community is rewarding films that came out well over one year ago. Blame COVID, not the industry.
As someone who adores the Oscars, it’s tough for me to get excited about this year’s ceremony because of what’s going on in the world. I’m going to watch every minute of the ceremony, but my excitement won’t be nearly as high as years prior. I also didn’t see any of the nominated films in a theater. Boy does that suck.
Enough of the pity party though. I love making predictions and that’s exactly what I’m going to do. Let’s end the film year with an 80% success rate on my picks. Here we go.
As someone who loves and appreciates everything about the film industry, I have to be honest about this year’s Best Picture race. A lot of these films are good, but not great. It pains me to type that, but it’s the truth. I’m going to blame the pandemic for thwarting the entire 2020 movie release schedule. Many of these films would have been better off being seen in a theater, which would have increased my positivity.
Compared to last year, this year’s crop of nominees is significantly weaker. That was bound to happen considering last year’s ceremony had a stacked lineup of films from extraordinary filmmakers like Martin Scorsese, Quentin Tarantino, Bong Joon-ho, and Greta Gerwig.
When the best movie I saw in 2020 isn’t eligible for a nomination (Mangrove from Steve McQueen), you’re going to run into some problems. Out of the eight nominees, Judas and the Black Messiah captivated my attention the most. It would get my first-place vote. However, Nomadland, which I enjoyed, will cap off a dominate awards season with the ceremony’s top prize.
Who Should Win:Judas and the Black Messiah Who Will Win: Nomadland
I would argue that the 93rd Oscars features good films with great directors. All five of these directors are great in their own way. I would love nothing more than to award David Fincher with the Oscar he deserves, but it won’t happen this year. Chloé Zhao will become the second female to ever win Best Director. A well-deserved victory for a thoughtful and compassionate filmmaker.
Who Should Win: Chloé Zhao – Nomadland Who Will Win: Chloé Zhao – Nomadland
Don’t let the BAFTA win for Anthony Hopkins throw off your predictions. Chadwick Boseman should win this award. Chadwick Boseman deserves to win this award. Most importantly, Chadwick Boseman will win this award. We miss you, King.
Who Should Win: Chadwick Boseman – Ma Rainey’s Black Bottom as Levee Green Who Will Win: Chadwick Boseman – Ma Rainey’s Black Bottom as Levee Green
Viola Davis – Ma Rainey’s Black Bottom as Ma Rainey
Andra Day – The United States vs. Billie Holiday as Billie Holiday
Vanessa Kirby – Pieces of a Woman as Martha Weiss
Frances McDormand – Nomadland as Fern
Carey Mulligan – Promising Young Woman as Cassandra “Cassie” Thomas
Out of all the acting categories, Best Actress is the hardest to predict. All of the nominees besides Kirby won Best Actress at key ceremonies. Day won the Golden Globe, Davis won the SAG, Mulligan won the Critics’ Choice, and McDormand won the BAFTA. In other words, it’s as close to a toss-up as you can get. My personal pick would be Mulligan, but if I’m guessing who the voters will choose, it’s between Davis and McDormand. Since Nomadland is due for a big night, I’ll take McDormand for the win.
Who Should Win: Carey Mulligan – Promising Young Woman as Cassandra Thomas Who Will Win: Frances McDormand – Nomadland as Fern
BEST SUPPORTING ACTOR
Sacha Baron Cohen – The Trial of the Chicago 7 as Abbie Hoffman
Daniel Kaluuya – Judas and the Black Messiah as Fred Hampton
Leslie Odom Jr. – One Night in Miami… as Sam Cooke
Paul Raci – Sound of Metal as Joe
Lakeith Stanfield – Judas and the Black Messiah as William “Bill” O’Neal
Daniel Kaluuya should and will win at the Oscars. He’s a stud that consistently turns in captivating performances. I’m a big Kaluuya fan. However, this has to be category fraud, right? I would say that Kaluuya and Stanfield are co-leads, but I understand why he’s in supporting because no one is beating Chadwick nor should anyone beat Chadwick. Paul Raci is the only guy in this category who’s truly a supporting actor so by default, he should win. How can you not love Raci? The guy is so damn cool. (Raci receiving a nomination was one of my favorite moments this season.)
Who Should Win: Paul Raci – Sound of Metal as Joe Who Will Win: Daniel Kaluuya – Judas and the Black Messiah as Fred Hampton
BEST SUPPORTING ACTRESS
Maria Bakalova – Borat Subsequent Moviefilm as Tutar Sagdiyev
Glenn Close – Hillbilly Elegy as Bonnie “Mamaw” Vance
Olivia Colman – The Father as Anne
Amanda Seyfried – Mank as Marion Davies
Youn Yuh-jung – Minari as Soon-ja
I love Youn Yuh-jung. She’s been such a delight to watch on the awards circuit. Watching her call British people “snobs” was one of the best laughs I’ve had in months. She’s going to win at Oscars, but I wish it went to Maria Bakalova. Her performance in Borat 2 was out-of-this-world good. To steal the show from Sacha Baron Cohen seemed downright impossible, but Bakalova easily won the movie.
Who Should Win: Maria Bakalova – Borat Subsequent Moviefilm as Tutar Sagdiyev Who Will Win: Youn Yuh-jung – Minari as Soon-ja
BEST ORIGINAL SCREENPLAY
Judas and the Black Messiah – Screenplay by Will Berson and Shaka King; Story by Berson, King, Keith Lucas and Kenny Lucas
Minari – Lee Isaac Chung
Promising Young Woman – Emerald Fennell
Sound of Metal – Screenplay by Abraham Marder and Darius Marder; Story by Derek Cianfrance and D. Marder
The Trial of the Chicago 7 – Aaron Sorkin
Since 2019, Emerald Fennell created Killing Eve Season 2, acted in The Crown, and wrote/directed Promising Young Woman. That’s a hell of a two-year stretch. Fennell’s picked up major wins at the BAFTAs and WGAs so I don’t see her losing this category. Promising Young Woman also had one of the best plot twists of the last five years.
Who Should Win:Promising Young Woman – Emerald Fennell Who Will Win: Promising Young Woman – Emerald Fennell
BEST ADAPTED SCREENPLAY
Borat Subsequent Moviefilm – Screenplay by Sacha Baron Cohen, Peter Baynham, Jena Friedman, Anthony Hines, Lee Kern, Dan Mazer, Erica Rivinoja and Dan Swimer; Story by Baron Cohen, Hines, Nina Pedrad and Swimer; Based on the character by Baron Cohen
The Father – Christopher Hampton and Florian Zeller, based on the play by Zeller
One Night in Miami… – Kemp Powers, based on his play
The White Tiger – Ramin Bahrani, based on the novel by Aravind Adiga
It’s Chloé Zhao’s night.
Who Should Win:Nomadland – Chloé Zhao Who Will Win: Nomadland – Chloé Zhao
BEST ANIMATED FEATURE FILM
Onward – Kori Rae and Dan Scanlon
Over the Moon – Peilin Chou, Glen Keane and Gennie Rin
A Shaun the Sheep Movie: Farmageddon – Will Becher, Paul Kewley and Richard Phelan
Soul – Pete Docter and Dana Murray
Wolfwalkers – Tomm Moore, Stéphan Roelants, Ross Stewart and Paul Young
I said this last year and I’ll say it again,. When in doubt, choose Pixar. Soul in a landslide.
Who Should Win:Soul – Pete Docter and Dana Murray Who Will Win: Soul – Pete Docter and Dana Murray
BEST INTERNATIONAL FEATURE FILM
Another Round (Denmark)
Better Days (Hong Kong)
The Man Who Sold His Skin (Tunisia)
Quo Vadis, Aida? (Bosnia and Herzegovina)
Mads, let’s get drunk.
Who Should Win:Another Round (Denmark) Who Will Win: Another Round (Denmark)
BEST DOCUMENTARY FEATURE
The Mole Agent
My Octopus Teacher
I didn’t see My Octopus Teacher, but it won the BAFTA and the PGA. It’s the leader in the clubhouse. However, I’m going with the upset and picking Time.
Who Should Win:Time Who Will Win: Time
BEST ORIGINAL SCORE
Da 5 Bloods – Terence Blanchard
Mank – Trent Reznor and Atticus Ross
Minari – Emile Mosseri
News of the World – James Newton Howard
Soul – Trent Reznor, Atticus Ross and Jon Batiste
TENET WAS ROBBED! JUSTICE FOR LUDWIG!
If Ludwig can’t win, I have no problems with Trent and Atticus winning more Oscars with the help of Mr. Jon Batiste.
Who Should Win:Tenet – Ludwig Göransson (not nominated) Who Will Win: Soul – Trent Reznor, Atticus Ross and Jon Batiste
BEST ORIGINAL SONG
“Fight for You” from Judas and the Black Messiah – Music by D’Mile and H.E.R.; lyric by H.E.R. and Tiara Thomas
“Hear My Voice” from The Trial of the Chicago 7 – Music by Daniel Pemberton; lyric by Celeste and Pemberton
“Husavik” from Eurovision Song Contest: The Story of Fire Saga – Music and lyric by Rickard Göransson, Fat Max Gsus and Savan Kotecha
“Io sì (Seen)” from The Life Ahead – Music by Diane Warren; lyric by Laura Pausini and Warren
“Speak Now” from One Night in Miami… – Music and lyric by Sam Ashworth and Leslie Odom Jr.
Can’t say I’ve revisited these songs like I did with “Shallow.” A Eurovision win would be fun and in a COVID year, maybe a fun song is exactly what we need. I’ll go with the safer pick and choose Leslie Odom Jr. If Odom wants to perform “The Room Where It Happens” from Hamilton, I wouldn’t be opposed.
Who Should Win: “Husavik” from Eurovision Song Contest: The Story of Fire Saga – Music and lyric by Rickard Göransson, Fat Max Gsus and Savan Kotecha Who Will Win: “Speak Now” from One Night in Miami… – Music and lyric by Sam Ashworth and Leslie Odom Jr.
Judas and the Black Messiah – Sean Bobbitt
Mank – Erik Messerschmidt
News of the World – Dariusz Wolski
Nomadland – Joshua James Richards
The Trial of the Chicago 7 – Phedon Papamichael
Mank received 10 nominations. They have to win some Oscars, right? The technical categories is where Mank can do some damage. Nomadland is the favorite after it’s BAFTA win, but I’m going with Mank, who won the ASC, in a slight upset.
Who Should Win:Nomadland – Joshua James Richards Who Will Win: Mank – Erik Messerschmidt
Greyhound – Beau Borders, Michael Minkler, Warren Shaw and David Wyman
Mank – Ren Klyce, Drew Kunin, Jeremy Molod, Nathan Nance and David Parker
News of the World – William Miller, John Pritchett, Mike Prestwood Smith and Oliver Tarney
Soul – Coya Elliot, Ren Klyce and David Parker
Sound of Metal – Jaime Baksht, Nicolas Becker, Philip Bladh, Carlos Cortés and Michelle Couttolenc
There’s a movie with the word “sound” in its title. Enough said.
Who Should Win:Soul – Coya Elliot, Ren Klyce and David Parker Who Will Win: Sound of Metal – Jaime Baksht, Nicolas Becker, Philip Bladh, Carlos Cortés and Michelle Couttolenc
BEST PRODUCTION DESIGN
The Father – Production Design: Peter Francis; Set Decoration: Cathy Featherstone
Ma Rainey’s Black Bottom – Production Design: Mark Ricker; Set Decoration: Karen O’Hara and Diana Sroughton
Mank – Production Design: Donald Graham Burt; Set Decoration: Jan Pascale
News of the World – Production Design: David Crank; Set Decoration: Elizabeth Keenan
Tenet – Production Design: Nathan Crowley; Set Decoration: Kathy Lucas
Mank is pulling a Mad Max: Fury Road at the Oscars with these technical wins.
Who Should Win:Tenet – Production Design: Nathan Crowley; Set Decoration: Kathy Lucas Who Will Win: Mank – Production Design: Donald Graham Burt; Set Decoration: Jan Pascale
BEST MAKEUP AND HAIRSTYLING
Emma. – Laura Allen, Marese Langan and Claudia Stolze
Hillbilly Elegy – Patricia Dehaney, Eryn Krueger Mekash and Matthew W. Mungle
Ma Rainey’s Black Bottom – Sergio Lopez-Rivera, Mia Neal and Jamika Wilson
Mank – Colleen LaBaff, Kimberley Spiteri and Gigi Williams
Pinocchio – Dalia Colli, Mark Coulier and Francesco Pegoretti
Emma winning here would be a delight. Watch out for Hillbilly Elegy. I’ll go with the 1920s drama that made me want to crush a Coke.
Who Should Win:Emma. – Laura Allen, Marese Langan and Claudia Stolze Who Will Win: Ma Rainey’s Black Bottom – Sergio Lopez-Rivera, Mia Neal and Jamika Wilson
BEST COSTUME DESIGN
Emma. – Alexandra Byrne
Ma Rainey’s Black Bottom – Ann Roth
Mank – Trish Summerville
Mulan – Bina Daigeler
Pinocchio – Massimo Cantini Parrini
The last film to win in both the makeup and costume categories was Mad Max: Fury Road. Can Ma Rainey do the same at this year’s Oscars? I don’t think so. I’m riding the Mank train for the technical categories and going with the upset.
Who Should Win:Ma Rainey’s Black Bottom – Ann Roth Who Will Win: Mank – Trish Summerville
BEST FILM EDITING
The Father – Yorgos Lamprinos
Nomadland – Chloé Zhao
Promising Young Woman – Frédéric Thoraval
Sound of Metal – Mikkel E.G. Nielsen
The Trial of the Chicago 7 – Alan Baumgarten
Three of last five winners of the ACE Eddie Award for editing went on to win Oscars in the same category. The Trial of the Chicago 7 won the ACE Eddie. That’s the pick here.
Who Should Win:Sound of Metal – Mikkel E.G. Nielsen Who Will Win: The Trial of the Chicago 7 – Alan Baumgarten
BEST VISUAL EFFECTS
Love and Monsters – Genevieve Camailleri, Brian Cox, Matt Everitt and Matt Sloan
The Midnight Sky – Matthew Kasmir, Chris Lawrence, Max Solomon and David Watkins
Mulan – Sean Andrew Faden, Steve Ingram, Anders Langlands and Seth Maury
The One and Only Ivan – Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez
Tenet – Scott R. Fisher, Andrew Jackson, David Lee and Andrew Lockley
The best movie on this list is Tenet. The Academy loves Nolan films from a technical side. That trend will continue Sunday night.
Who Should Win:Tenet – Scott R. Fisher, Andrew Jackson, David Lee and Andrew Lockley Who Will Win: Tenet – Scott R. Fisher, Andrew Jackson, David Lee and Andrew Lockley
For the final three categories, I’m not going to pretend I know anything about them. I haven’t seen any of the shorts. I wish they were more accessible throughout the year instead of making them available in one virtual theater before the ceremony. Since I didn’t see any of these films, I’ll only pick “who will win.”
BEST DOCUMENTARY SHORT SUBJECT
Colette – Alice Doyard and Anthony Giacchino
A Concerto Is a Conversation – Kris Bowers and Ben Proudfoot
Do Not Split – Charlotte Cook and Anders Hammer
Hunger Ward – Skye Fitzgerald and Michael Shueuerman
A Love Song for Latasha – Sophia Nahali Allison and Janice Duncan
Who Will Win: A Love Song for Latasha – Sophia Nahali Allison and Janice Duncan
BEST LIVE ACTION SHORT FILM
Feeling Through – Doug Roland and Susan Ruzenski
The Letter Room – Elvira Lind and Sofia Sondervan
The Present – Ossama Bawardi and Farah Nabulsi
Two Distant Strangers – Travon Free and Martin Desmond Roe
White Eye – Shira Hochman and Tomer Shushan
Oscar Isaac was in The Letter Room. Let’s do that.
Who Will Win: The Letter Room – Elvira Lind and Sofia Sondervan
BEST ANIMATED SHORT FILM
Burrow – Michael Capbarat and Madeline Sharafian
Genius Loci – Adrien Mérigeau and Amaury Ovise
If Anything Happens I Love You – Michael Govier and Will McCormack
Opera – Erick Oh
Yes-People – Arnar Gunnarsson and Gísli Darri Halldórsson
Who Will Win: If Anything Happens I Love You – Michael Govier and Will McCormack
Thank you for reading my discussions about the Oscars all year. I really appreciate it. Follow me on Twitter, @danny_giro.
One of the greatest philosophers of the 21st century, Dominic Toretto, once said, “I don’t have friends. I got family.” For me, there’s my immediate family, and then there’s my Fast and Furious family.
I love the Fast and Furiousfranchise with my whole heart. For the past 20 years, it has provided so much joy in my life. After watching the second trailer for F9, I’m convinced the ninth installment will end the pandemic.*
*I’m joking… or am i?
Here’s the official synopsis for F9, which is set to open on June 25, 2021.
Vin Diesel’s Dom Toretto is leading a quiet life off the grid with Letty and his son, little Brian, but they know that danger always lurks just over their peaceful horizon. This time, that threat will force Dom to confront the sins of his past if he’s going to save those he loves most. His crew joins together to stop a world-shattering plot led by the most skilled assassin and high-performance driver they’ve ever encountered: a man who also happens to be Dom’s forsaken brother, Jakob (John Cena).
If that doesn’t make you want to sit in a movie theater with a large popcorn and soda, then I don’t know what will. For my money, The Fast Saga is one of the best (action) franchises ever made. Speaking of money, consumers tend to agree with my assessment because it’s the seventh highest-grossing film franchise of all time at the box office.
The fact that the Fast Saga has survived two decades is unfathomable. Why has The Fast Saga been so successful? Two reasons: Adaptability and following a proven formula.
First, the franchise continues to adapt, raising the stakes in every subsequent movie. Remember when the first film in the franchise, The Fast and the Furious, revolved around stealing electronic goods off of tractor-trailers? Now, the franchise is heading to SPACE! The Fast and the Furious feels like a character-driven indie compared to the later films, which are giant action spectacles.
F1, F2, and F4 (sorry, Tokyo Drift) leaned into Office Brian O’Connor and how his friendship with Toretto conquers all. F5, F6, and F7, which happens to be the strongest three-film stretch in the franchise, saw Dom’s crew on the run from the government as they fought to come back home. F8 upped the ante even further as Dom turned heel and the crew faced off against a cyberterrorist. Dom Toretto has gone from a well-known street racer to a superhuman crime fighter who can jump from building to building without a scratch.
One of The Fast Saga‘s greatest strengths is that it knows its identity. In every movie, Dom and his crew are threatened by a villain who wants to break up the family. Dom won’t let that happen so his crew pulls out all the stops to save the day and more importantly, keep the family intact. This proven formula works time and time again.
The Fast Saga is the perfect form of escapism. It’s big, loud, and entertaining. There are unrealistic action sequences that are borderline ridiculous. The dialogue is built around witty one-liners about family and Roman’s stupidity. But guess what? This script works. When describing the violence in his movies, Quentin Tarantino said, “Kill Bill’s a violent movie. But it’s a Tarantino movie. You don’t go to see Metallica and ask the fuckers to turn the music down.” I feel the same way about F9.
I’m not going into F9 expecting Citizen Kane or The Godfather. I want to have a good time with my Fast family, and if the trailer is any indication of what’s to come, then my wish will be granted.
What is “The Big Three?” It’s not LeBron James, Dwyane Wade, and Chris Bosh. The trio I’m referring to is the Golden Globes, SAG Awards, and Oscars. These are the three biggest mainstream awards for films. If a film or actor does well at the Globes and SAGs, then it’s probably going to win an Oscar.
On Sunday, the SAG Awards will hand out some hardware. After Sunday night, will the Oscar races heat up or cool down?
Will The SAG Awards Alter The Oscar Race?
Do the SAG Awards affect the Oscar race?
The short answer is yes. The SAG Awards matter. Just look at last year’s results.
Every winner in the five major categories went on to win the Oscar in their corresponding category. I doubt that this trend will happen two years in a row. Why is that? Look at the Outstanding Performance by a Cast category for 2020 below. What notable film is missing?
The answer is Nomadland, which is the heavy favorite at -400 to win Best Picture according to Vegasinsider. Since 2010, five winners of Outstanding Cast went on to win Best Picture at the Oscars. During that same time frame, 2017 (The Shape of Water) and 2018 (Green Book) where the Best Picture winner didn’t receive an Outstanding Cast nomination.
Despite the lack of a SAG nom, Nomadland won the top prize at the Golden Globes and the Producers Guild Awards. The latter is noteworthy because the PGA winner won the Oscar for Best Picture 10 of the last 13 years. I’m expecting Nomadland to make it 11 out of 14. If I had to pick one film to play spoiler, it would be Minari. If Minari wins the SAG for Outstanding Cast, it could ride that momentum to the Oscars just like Parasite did last year.
In the acting categories, the male races seem all but over. The SAG Awards are voted on by actors and the acting community’s reaction to Chadwick Boseman’s campaign has been universally positive. He may receive every single first-place vote for Outstanding Lead Actor. The same could be said for Daniel Kaluuya, whose captivating performance in Judas and the Black Messiah should result in SAG and Oscar gold.
On the female side, it’s a bit cloudier. Frances McDormand, who has won two SAG Awards for Leading Actress in a Film and two Oscars for Best Actress, is the favorite, and rightfully so. She’s awesome in everything she does including Nomadland. However, watch out for Carey Mulligan. Her performance in Promising Young Woman garnered excellent reviews, which led to important wins at Critics Choice Awards and National Board of Review. Whoever wins the SAG will be the favorite to win the Oscar.
In the supporting actress category, your guess is good as mine. You might be better off closing your eyes and pointing at a name. Maria Bakalova, my personal pick to win, and Youn Yuh-jung are the two names to watch. The two women have gone back and forth all season, alternating wins in every critic’s circle beside the Golden Globes. Bakalova recently won the Critics Choice Award so I give her the slight edge going into the SAG.
I miss movie theaters. As someone who hasn’t been inside a theater in well over a year (NYC theaters just opened a few weeks ago), I’m ready to sit on a creaky chair, ruin my posture, and snack on some salty popcorn. I even miss paying an absurd price for a ticket, which ranges from $13-$17 depending on the theater.
Let’s focus on price for a second. In most situations, theaters were closed due to the pandemic so studios either released straight to VOD or delayed the release. Because of this, many studios skipped the theatrical experience in favor of video on demand for a premium price of $19.99.
After I paid $19.99 to rent The King of Staten Island last June, my dad said, “$19.99? Expensive movie!” Is twenty dollars an absurd price to pay for a movie at home?
If you’re an average person, then you’re probably not shelling out the money to pay for a premium movie when there are hundreds of movies to choose from on services like Netflix, Amazon, Disney+, Hulu, etc. Throw in the fact that streaming services also provide binge-worthy TV shows like The Office and many moviegoers are passing on a $19.99 movie.
What if the movie was from Marvel or Star Wars? What if Leonardo DiCaprio says the hell with Apple TV+ and releases Killers of the Flower Moon straight to VOD for $24.99? What are you willing to pay for giant blockbusters with popular IP and star power?
This question will be put to the test with Black Widow, which will release in theaters July 9 and on Disney+ with Premier Access, which comes with a $30 rental fee. So in addition to a Disney+ subscription, subscribers will need to pay $30 to access Black Widow if they want to watch it at home. If not, then they can see it in a theater.
Will I pay $30 for Black Widow?
Probably not, but that’s because I will see it in a theater. However, if I want to watch the film with a group of friends or family members, I might elect to watch it on Disney+ since the $30 price split between a few people will be less than a movie ticket.
The Black Widow new got me thinking about the future of premium VOD and rentals. What would I be willing to spend to watch a movie I desperately wanted to see? Is there a price that’s too high?
To test this theory, I ran down some highly-anticipated movies that either just came out or will come out in the future and determined how much I would pay to watch them at home. Since I’m the only one answering, I’m paying full price for the movie and watching it alone for this hypothetical. I’m not factoring in the split cost of watching with other people.
Black Widow – $19.99
$19.99 might be expensive for indies or a mid-budget film, but for a Marvel movie with a rumored budget of $200m, $19.99 is a fair asking price for Black Widow. If theaters weren’t open, then I would pay the $30. In fact, if I could own Black Widow, I’d easily pay the $30. But since it’s only a rental, $30 is a bit steep for one guy.
Tenet – $19.99
There’s no test involved here because I bought Tenet for $19.99. Inversion!
Dune – $30
Let’s pretend you had to pay a premium price for Dune instead of watching on HBO Max. Dune is one of my most anticipated movies in 2021. With a stellar cast and Denis Villeneuve (one of my favorite directors) at the helm, I’m willing to pay at least $30 for this sci-fi epic. More worms, more money.
F9 – $50
It’s hard to put a price on your family, and Dominic Toretto is my brother. I’ve waited four years for my Fast & Furious family to return to theaters. I’d pay $50 right now to watch one of my favorite franchises tear up the (TV) screen.
No Time To Die – $100 or more
I lied. I pay $100 for No Time to Die. I need Bond back in my life. Also, shoutout to me for this analysis. Spot on?
How much money would you pay to watch a movie at home? Leave your thoughts in the comments or tweet us, @unafraidshow.
Welcome to awards season. In a normal year, many nominees and studios would be making their final push towards the 2021 Oscars. However, in this unprecedented year, the bulk of awards season is just about to begin.
In the past two days, the Golden Globes and SAG Awards released their nominations for their respective ceremonies. As are the rules of the Internet, you have to be happy at the surprises and mad at the snubs. Surprises and snubs always happen.
Once the shock value passes, turn your attention towards the 2021 Oscars. The Golden Globes and SAG Awards are good barometers for Oscar nominations depending on the category. Can anyone stop The Trial of the Chicago 7 or Nomadland in Best Picture? Will Chadwick Boseman become a double nominee? Can Maria Bakalova do the impossible and win an OscaR?
Below are five major categories and their impact on the Oscars.
*Sorry television, but this article is about films only. TV had a monumental year in 2020, but I’m shifting my focus towards movies for now. However, Anya Taylor-Joy better win every award for The Queen’s Gambit.
Golden Globes – Drama: The Father, Mank, Nomadland, Promising Young Woman, The Trial of the Chicago 7. Comedy/Musical: Borat Subsequent Moviefilm, Hamilton, Music, Palm Springs, The Prom
SAG Awards – Da 5 Bloods, Ma Rainey’s Black Bottom, Minari, One Night In Miami, The Trial Of The Chicago 7
This is a tale of two voting groups. The Globes leaned into acclaimed filmmakers like David Fincher and Aaron Sorkin while the SAGs championed diverse casts. For the Oscars, cut out every comedy/musical from the Globes because none of those movies will receive a Best Picture nomination. The Trial of the Chicago 7 and Nomadland are the favorites as of now, but watch out for Mank and Minari who are right on their heels.
Oscars Best Picture Nomination Predictions
Locks – The Trial of the Chicago 7, Mank, Nomadland
Looking Good – Ma Rainey’s Black Bottom, Minari, Promising Young Woman, Da 5 Bloods, The Father
Still Alive – One Night In Miami, Sound of Metal, News of the World
Darkhorse – Borat Subsequent Moviefilm
Golden Globes – Drama: Riz Ahmed – Sound of Metal, Chadwick Boseman – Ma Rainey’s Black Bottom, Anthony Hopkins – The Father, Gary Oldman – Mank, Tahar Rahim – The Mauritanian. Comedy/Musical: Sacha Baron Cohen – Borat Subsequent Moviefilm, James Corden – The Prom, Lin-Manuel Miranda – Hamilton, Dev Patel – The Personal History of David Copperfield, Andy Samberg – Palm Springs
SAG Awards – Riz Ahmed – Sound of Metal, Chadwick Boseman – Ma Rainey’s Black Bottom, Anthony Hopkins – The Father, Gary Oldman – Mank, Steven Yeun – Minari
The biggest story is not who was nominated, but who was left out. Delroy Lindo, who I thought was a lock for a Best Actor nomination, was snubbed from both the Globes and the SAGs. His Oscar chances have severely deteriorated, and that’s a damn shame. There is some recent precedent as Roma‘s Yalitza Aparicio and Marina de Tavira both received Oscar nominations Best Actress and Best Supporting Actress respectively without Golden Globe and SAG nominations. For the Oscars, it’s the fight for the fifth spot as Ahmed, Boseman, Oldman, and Hopkins most likely cemented their spots.
Oscars Best Actor Nomination Predictions
Locks – Riz Ahmed – Sound of Metal, Chadwick Boseman – Ma Rainey’s Black Bottom, Anthony Hopkins – The Father, Gary Oldman – Mank
Golden Globes – Drama: Viola Davis – Ma Rainey’s Black Bottom, Andra Day – The United States vs. Billie Holiday, Vanessa Kirby – Pieces of a Woman, Frances McDormand – Nomadland, Carey Mulligan – Promising Young Woman Comedy/Musical: Maria Bakalova – Borat Subsequent Moviefilm, Kate Hudson – Music, Michelle Pfeiffer – French Exit, Rosamund Pike – I Care a Lot, Anya Taylor-Joy – Emma
SAG Awards – Amy Adams – Hillbilly Elegy, Viola Davis – Ma Rainey’s Black Bottom, Vanessa Kirby – Pieces of a Woman, Frances McDormand – Nomadland, Carey Mulligan – Promising Young Woman
Like Best Actor, Best Actress appears to have four locks in Davis, Kirby, McDormand, and Mulligan. It’s that fifth spot where the confusion lies. Adams came out of nowhere to snag the SAG nomination. Don’t count Adams out for the Oscar nomination since she’s previously been nominated six times. Day and Pfeiffer are right in the mix as well and their campaigns will only gain steam once more people see their respective movies. Bakalova, one of my breakout stars of the year, will be in the supporting category at the Oscars.
Oscars Best Actress Nomination Predictions
Locks – Viola Davis – Ma Rainey’s Black Bottom, Vanessa Kirby – Pieces of a Woman, Frances McDormand – Nomadland, Carey Mulligan – Promising Young Woman
Still Alive – Amy Adams – Hillbilly Elegy, Andra Day – The United States vs. Billie Holiday, Michelle Pfeiffer – French Exit
Darkhorse – Rosamund Pike – I Care a Lot
Best Supporting Actor
Golden Globes – Sacha Baron Cohen – The Trial of the Chicago 7, Daniel Kaluuya – Judas and the Black Messiah, Jared Leto – The Little Things, Bill Murray – On the Rocks, Leslie Odom, Jr. – One Night in Miami
SAG Awards – Sacha Baron Cohen – The Trial of the Chicago 7, Chadwick Boseman – Da 5 Bloods, Daniel Kaluuya – Judas and the Black Messiah, Jared Leto – The Little Things, Leslie Odom Jr. – One Night in Miami
If you have a Jared Leto joke, save it for Twitter. In defense of Leto, he’s the best aspect of The Little Things. I appreciate the creepy, edgy serial killer he was trying to portray. The Little Things could have benefitted with more Leto. With that being said, I’m truly shocked he received supporting nominations at both the Globes and SAGs because the movie was not highly received by critics. I hate to sound like a broken record, but this seems to be another battle for one spot between Murray and Boseman. My money is on Boseman.
Oscars Best Supporting Actor Nomination Predictions
Locks – Sacha Baron Cohen – The Trial of the Chicago 7, Daniel Kaluuya – Judas and the Black Messiah, Jared Leto – The Little Things, Leslie Odom, Jr. – One Night in Miami
Still Alive – Chadwick Boseman – Da 5 Bloods, Bill Murray – On the Rocks
Darkhorse – Paul Raci – Sound of Metal
Best Supporting Actress
Golden Globes – Glenn Close – Hillbilly Elegy, Olivia Colman – The Father, Jodie Foster – The Mauritanian, Amanda Seyfried – Mank, Helena Zengel – News of the World
SAG Awards – Maria Bakalova – Borat Subsequent Moviefilm, Glenn Close – Hillbilly Elegy, Olivia Colman – The Father, Youn Yuh-jung – Minari, Helena Zengel – News of the World
Three days ago, if you asked me to pick a favorite for Best Supporting Actress at the Oscars, I would have selected Seyfried for Mank. Three months ago, I would have picked Close for Hillbilly Elegy. Now, I’m not confident with either of those predictions. Close is a lock while Seyfried should get the nomination. Call me crazy, but the favorites to win have to be Maria Bakalova and Youn Yuh-jung. Both actresses continue to rack up supporting wins from various critics’ circles. The winner of the SAG award will be in the driver’s seat.
Oscars Best Supporting Actress Nomination Predictions
Locks – Maria Bakalova – Borat Subsequent Moviefilm, Glenn Close – Hillbilly Elegy, Olivia Colman – The Father, Youn Yuh-jung – Minari
Still Alive – Amanda Seyfried – Mank, Helena Zengel – News of the World
Darkhorse – Jodie Foster – The Mauritanian
What are your takeaways from the Golden Globe and SAG nominations? Leave your thoughts in the comments or tweet us, @unafraidshow.
In 2021, the Golden Globes, not the Oscars, will be airing at the end of February. In a normal year, the Golden Globes would have aired in January, and the Oscar contenders would have been making one last push for votes right about now.
However, this year has been nowhere near normal. Between theater closings and streaming wars, the way we watch movies and television changed dramatically. By now, I would have seen 95% of films nominated at the Golden Globes. Now, I’m playing catch up.
Let’s not skip ahead to the Oscars just yet. The Golden Globes nominations will be announced on Feb. 3. I wrote this last year, but the same principles apply when predicting nominations.
The Hollywood Foreign Press Association (HFPA) loves to spotlight new shows and talent. Ask yourself “What dominated pop culture,” or as the kids say, “What’s hot in the streets?”
The HFPA LOVE stars. If there’s an A-list star in a movie or television show, whether it’s good or bad, there’s a solid chance they’re getting a nomination in order to guarantee their attendance. NOTE: I have no idea if there will be people in attendance so this guideline may adust. However, stars on Zoom calls are better than no stars at all.
The Golden Globes don’t predict Oscar winners, but it’s a good barometer. For example, Joaquin Phoenix, Renée Zellweger, Brad Pitt, and Laura Dern all won in their respective categories before going on to win at the Oscars.
With so much unknown, my confidence meter is lower than usual in both film and television. Despite my lack of belief, I trust my gut when it comes to a few of my standout predictions.
Hamilton – Voters are going to love it.
Leslie Odom Jr. is going to receive three individual nominations in three separate categories.
Chadwick Boseman will be a double nominee, and he’ll win Best Actor in a Drama.
I’m buying the Bridgerton hype especially for Best Series, Best Actor, and Best Actress.
Borat will be well-represented and could sweep Best Actor in a Comedy/Musical, Best Actress in a Comedy Musical, and Best Comedy/Musical
Dave Burd is my long shot to not only receive an acting nomination, but win the category.
It’s 2021, which means the eligibility window for the 2021 Oscars closes in less than two months. Both Apple TV+ and Netflix are making late additions to their Oscars’ slate with Cherry and Malcolm & Marie.
Cherry And Malcolm & Marie Look To Crash The Party
Here come the streaming services. Just when the Oscar races were starting to form contenders, Apple and Netflix hit the film community with a “not so fast my friend.” Apple and Netflix are banking on star power to win over voters with Cherry and Malcolm & Marie.
Cherry stars Tom Holland as the titular character, a US soldier suffering from PTSD. To pay for his opioid addiction, Cherry starts to rob banks. Directed by The Russo Brothers, Cherry is based on the acclaimed semi-autobiographical novel from author Nico Walker.
Both Holland and The Russo Brothers are set to prove they can play outside of the Marvel sandbox. Spider-Man made Holland a superstar, but this young talent doesn’t need spandex to prove he can light up the screen. Holland’s track record outside of Marvel speaks for itself with good performances in The Impossible and The Lost City of Z. With a difficult subject matter and long runtime (150 minutes), it’s going to be hard for Cherry to break into the Oscar field. However, Holland will get some votes for Best Actor so a nomination could be in his future within the next five years.
Cherry will premiere in theaters on Feb. 26 before streaming on Apple TV+ on Mar. 12.
While Cherry could struggle to gain traction with voters, it’s quite the opposite with Malcolm & Marie. I don’t see a world where Malcolm & Marie receive zero nominations for the 2021 Oscars. Directed and written by Sam Levinson (Euphoria), John David Washington and Zendaya star as Malcolm, a filmmaker, and Marie, his girlfriend. After a successful movie premiere, the couple returns home and begins to question their relationship as Malcolm’s celebrity status will soon rise.
What do the Oscars love? Stars and films about Hollywood. Malcolm & Marie checks both boxes. John David Washington and Zendaya are both charismatic, attractive, and well-liked actors. Both are coming off star-making performances in Tenet and Euphoria, respectively. Levinson, son of Oscar-winner Barry Levinson, is starting to hit his stride as a writer/director. Malcolm & Marie will compete for nominations in Best Actor, Best Cinematography, Best Orginal Screenplay, Best Production Design, and perhaps Best Picture.
With that being said, if you had to cash your chips in on one category, go all-in on a Best Actress nomination for Zendaya. The gifted actress has all the momentum in the world after her Emmywin for Euphoria. An Oscar nomination would catapult her to elite status.
Malcolm & Marie premieres Feb 5 on Netflix.
Other News And Notes
– Judas and the Black Messiah looks fantastic. Lakeith Stanfield is one of the most eclectic actors in Hollywood. Does anyone have better taste than Daniel Kaluuya? Since 2015, Kaluuya has done Sicaro, Get Out, Black Panther, Widows, and Queen & Slim. The man doesn’t miss and he’s inserted himself right into the Best Supporting Actor race.
Who’s ready for a top 10 movie list for 2020? Unfortunately, I don’t have one. I haven’t been to the theater since February, which makes me depressed. Thankfully, television was fantastic. I did enjoy quite a few movies on demand and via streaming with many standout performances. Let’s stay positive, shall we? Here are the best TV and movie performances of 2020.
Anya Taylor-Joy in The Queen’s Gambit
Who knew chess could be so interesting and intriguing? The Queen’s Gambit could be the sleeper hit of the year, and most of the show’s success can be attributed to the fantastic lead, Anya Taylor-Joy. Between her exquisite fashion choices and brutal honesty, Taylor-Joy captivated my attention from start to finish. I couldn’t look away for fear of missing Beth and her magnetic stare.
Elisabeth Moss in The Invisible Man
Remember movie theaters? I miss them dearly. The last movie I saw in a theater was The Invisible Man so it will always hold a special place in my heart. Horror movies are always better in theaters, and The Invisible Man continues that trend as my theater was on the edge of their seats throughout the entire film. The Invisible Man is a good movie anchored by a great performance by Elisabeth Moss. At this point, I hope Elisabeth does a rom-com soon because she deserves a hug and a kiss instead of a traumatizing experience, one after the other.
Paul Mescal and Daisy Edgar-Jones in Normal People
The “Chemistry of the Year” award goes to Paul Mescal and Daisy Edgar-Jones for their work in Normal People. I’ve screamed my praise for Normal People from the highest mountains on Twitter. It’s one of the most moving depictions of young love you’ll ever see. Mescal and Edgar-Jones were spectacular as the show’s leads. Buy stock in these two young performers now before they skyrocket.
Malachi Kirby and Shaun Parkes in Mangrove from Small Axe
Is it a movie? Is it a television show? Don’t worry about the confusion surrounding Small Axe, Steve McQueen’s film anthology series on Amazon Prime Video. Instead, focus on the source material within the five movies of Small Axe and appreciate McQueen’s sheer brilliance as a director and storyteller. Small Axe focuses on West Indian immigrants in London during the 1960s and 1970s. The best film in the series is Mangrove, which tells the story of the Mangrove restaurant and the subsequent trial against nine Black activists who were charged with inciting a riot in response to the unfair treatment from the police to the Mangrove restaurant. Not only is Mangrove one of the best films of the year, but it’s one of the strongest depictions of institutional racism in films of the 21st century. Both Malachi Kirby and Shaun Parkes, who play two members of the Mangrove Nine, bring emotion to a new level with their passionate speeches during the trial. Mangrove is a must-watch film in 2020.
Rhea Seehorn in Better Call Saul
Rhea Seehorn is perfect.Better Call Saulis about Saul Goodman, but all I care about is Kim Wexler and what happens to her before the show ends. Kim may be the second lead of the show, but she’s the most important character. Not only does Seehorn go toe-to-toe with Bob Odenkirk, but she ends up stealing the spotlight in Season 5. Take a bow, Rhea.
Andy Samberg and Cristin Milioti in Palm Springs
In a year of few laughs, the film where I had the most fun was Palm Springs. The film stars Andy Samberg and Cristin Milioti as two guests at a wedding that become stuck in a time loop and relieve the same day over and over again. Palm Springs tackles depressing topics like hopelessness and infidelity with a comedic, rom-com approach. The result is a charming movie with two standout performances from Samberg and Milioti.
Other Favorite Performances
Lil Dicky in Dave
Jonathan Banks in Better Call Saul
Delroy Lindo and Chadwick Boseman in Da 5 Bloods
Bill Burr in The King of Staten Island
Riz Ahmed and Paul Raciin Sound of Metal
Grogu in The Mandalorian
What were your favorite performances of the year? Leave your thoughts in the comments below or tweet us, @danny_giro.
It may be the Christmas season for some of you, but it’s Home Alone season for all of us. Home Alone and Home Alone 2: Lost in New York should air at least ten times each during the month of December. It’s an entertaining and fun movie that five-year-olds and fifty-five-year-olds will both enjoy.
Last year, I wrote about which film is better, Home Alone or Home Alone 2. (Home Alone 2 is slightly better than the original.) In the article, I discussed the poor parenting shown by Kevin’s parents, Peter and Kate McCallister. This year, I wanted to expand on their parenting technique and rank every bad decision they made in each film.
I will be grading the McCallister’s actions on the Bad Parenting Scale, 1-10, with 1 representing a great parent and 10 being the absolute worst parent. Were Kevin’s parents worse in Home Alone or Home Alone 2?
Blaming Kevin For The Pizza Debacle
As a middle child (Out of six children in my family, I’m third in the pecking order), I’ve experienced what it’s like to be the younger sibling and the older sibling. If there’s anything I’ve learned, it’s that blame will fall on the older sibling nine times out of ten. It doesn’t matter what the younger sibling does. If an older sibling is involved, the blame will predominantly fall on their shoulders because they’re supposed to be “mature” and “responsible.”
Peter and Kate throw conventional wisdom out the door in the opening scene. Buzz, who is probably eight to ten years older than Kevin, antagonizes Kevin with his disgusting eating habits. As a man who despises olives, Kevin has every right to be upset that Buzz ate his cheese pizza. Kevin retaliates by tackling Buzz in the stomach, causing a chain reaction that leads to spilled milk and soda all over the family and their flight tickets.
Does Mr. or Mrs. McCallister question Buzz as to why Kevin would tackle him in the stomach? No. They let the entire family stare him down, forcing him to apologize for his actions. Then, Mrs. McCallister drags Kevin out of the room by his arm like a ragdoll. Kevin is not innocent, but his parents never gave him a chance to explain.
Bad Parenting Scale: 7.8
Allowing Uncle Frank To Call Kevin A “Little Jerk”
How did the McCallister parents let this slide? Uncle Frank is an asshole, and yet, Peter and Kate let him berate their child in front of the entire family. Stick up for your son!
Bad Parenting Scale: 8.5
As the parents of the family, Peter and Kate are in charge of the wake-up. That’s their responsibility. To rely solely on an alarm clock the night before an international trip is foolish. I’m setting multiple alarm clocks including one that has batteries just in case the power goes out. Side note, not one person woke up early? Not one person went to the bathroom and noticed the power went out? Oversleeping is not a huge crime, but blood is still on the parents’ hands.
Bad Parenting Scale: 7.3
Forgetting Kevin At Home
Before I destroy the parents, Heather needs to take a lot of the blame for how she counted the children. She taps Mitch Murphy on the head, thinking it’s Kevin. How do you not ask the kid to turn around and face forward? Awful job by Heather.
Now, do I have any sympathy for Peter and Kate? Not one ounce. This is an egregious mistake. The duo banished their youngest son to the attic the night before and did not realize they forgot him until they were sitting in their first-class seats. Not only did they entrust a teenager with attendance, but failed to double-check for themselves to see if everyone made the trip. All Peter and Kate cared about were sipping orange juice out of a champagne glass.
Bad Parenting Scale: 9.8
Calling The Police And Only The Police To Check On Kevin
I don’t have a child so take this criticism with a grain of salt. If I was Kate McCallister, my first call would not be to the police. My first call would be to a family member in the area. From there, then I would try a friend, a neighbor, or a babysitter. If all else fails, then I would call the police. Clearly, the police were not interested in babysitting children in 1990s Chicago. While I don’t fault Kate for calling the police, I do criticize her for only making one call to the police. I find it hard to believe that the other children and Leslie could not get in touch with anyone. I refuse to believe it.
Bad Parenting Scale: 8.4
Home Alone 2
Punishing Kevin For The School Concert Fiasco
Beat that you little trout sniffer. Kevin sabotaging the concert is more egregious than spilling milk over the plane tickets. Public embarrassment is a hell of a lot worse than private embarrassment. Kevin’s hands are not clean, that’s for sure. However, how can Kate and Peter be so naive when it comes to Buzz and his antics? Buzz humiliated Kevin in front of the entire audience. His punishment? Apologize to the entire family. That’s it. Clearly, Buzz can get away with murder. Everyone can see through Buzz’s bullshit except Kate and Peter. To punish Kevin and only Kevin is bad, but not a sin.
Bad Parenting Scale: 7.5
Kate Taunting Kevin In The Attic
“You got your wish last year. Maybe you’ll get it again this year.” Excuse me, but is Kate the mother or a middle school bully? Why would you taunt your kid after FORGETTING HIM AT HOME THE YEAR PRIOR? Immature behavior from Mrs. McCallister.
Bad Parenting Scale: 8.9
Losing Kevin At The Airport
I don’t want to cut Peter and Kate any slack, but I think that’s about to happen. I will cut them the smallest slice of slack, similar to the size of Squidward’s first bite of a Krabby Patty.
Unlike the previous year, Kevin makes it to the airport. Kevin hangs with Peter until he made the costly mistake of switching the batteries in his recorder. That mistake is on Kevin. Running after the wrong man in the brown coat is on Kevin. Not confirming the face of the man with the brown jacket on the plane is on Kevin.
In spite of this, Kevin is a 10-year-old kid. The parents need to act like adults and take some responsibility. Kate did not double-check on her kids at the airport and Peter ran the 40-yard dash in the terminal of hanging behind with Kevin. Bad parenting to lose Kevin, but not as bad as the first film.
Bad Parenting Scale: 9.1
Realizing Kevin Was Missing At The Miami Airport
Even if the flight attendants assured Kate they would make sure everyone got on the flight, Kate should have stood her ground and counted the kids herself. Peter also outran Kevin in the terminal and never turned around to check on him. Just turn your head to the door once you get on the plane to make sure your family boards. Stop flying first class and start sitting with your family.
Bad Parenting Scale: 9.0
Poking Fun At The McCallister Family Travel Tradition
If you constantly spill coffee on your shit, it’s ok to poke fun of yourself. When you lose your child in an airport, I wouldn’t be laughing at my mistake. If I was the cop, I would’ve thrown Kate and Peter right out of the office. This behavior is more infuriating than forgetting Kevin at the airport.
Bad Parenting Scale: 9.4
Final Score On The Bad Parenting Scale (Average Of 5 Scores)
Home Alone – 8.4
Home Alone 2: Lost In New York – 8.8
Peter and Kate were worse parents in Home Alone 2: Lost In New York. Despite reuniting with their son in both movies, they won’t be winning any “Parent of the Year” awards anytime soon.
Were Kevin’s parents worse in Home Alone or Home Alone 2? Leave your thoughts in the comments or tweet us, @unafraidshow.